What is in Kelvin's Head?

  • Pagliacci – Scottish Opera ****

    Paisley Opera House (aka a tent on Seedhill Playing Fields in Paisley)

    Scottish Opera’s summer show in Paisley is a completely immersive bundle of fun that manages to be innovative and hugely entertaining.

    It isn’t difficult to see where the idea of putting this show on in a big tent comes from. Pagliacci (The Clowns) is all about a troop of performing players coming to town. It just happened that this troop had turned up in Paisley and were putting on a show for a local gala day – the Sma’ Shot festivities.

    There was a strong sense of local festival as soon as one entered the tent, with a range of sideshows – a magician, fortune teller and a real Punch and Judy show alongside games like Pin The Tail on the Donkey. It was a brave decision on the part of Scottish Opera to have an actual donkey wandering around too, given the recent debacle of the Eugene Onegin’s horse. However, no-one disgraced themselves and a good time was had by all, not least the three people who won the raffle and got to conduct the orchestra in some well-known operatic overtures.

    By the time the singing started, it felt as though the show had been going on for some time.

    With all the fun of the fair going on all around, the danger was that the singing might not matter that much. Fortunately this was a strong cast and in fact the singing was excellent. Particular praise must go to Ronald Samm for his utterly superb Vesti la guibba that ended the first act. The fact that he was surrounded at close quarters by the audience, who were invited to move about the tent to wherever the action was, didn’t distract him from an astonishing display of heartbroken anguish.

    A huge chorus of both amateur and professional singers were mingling with the audience throughout most of the production and it was genuinely thrilling for the singing and the action to break out all around you as you tried, generally unsuccessfully, to work out what might happen next. High points included the entrance procession of the players and the sudden, stunning reveal of the stage (made out of a road-truck) for them to play on in the second half.

    It is to the director, Bill Bankes-Jones’s credit that the pitiful tragedy of scorned love was perfectly balanced with the comedy and high jinks of a show that was hell bent on blowing away even the most jaded cynicism. By the end of the evening, what had we witnessed? A fun filled tragedy? A comedy beset by human misery? Both, surely, and more.

    One hour 40 minutes is a bit long for a promenade performance, particularly as the audience didn’t move about quite as much as I suspect they were expected to do on what was a very hot July evening. However, the standing about all felt well worth it for a surprise summer hit.

    The Orchestra of Scottish Opera were about the only ones who got to sit down all night and, apart from some repeated split notes in the brass section were on generally good form under Stuart Stratford.

    All in all it seems like a shame that this show will play for a run of just three performances. It was an enormous effort for a relatively small audience and could easily have sustained a longer run.

    The troop of performing players that rolled up into Paisley done good.

    Done very good indeed.

    Rating: ★★★★☆

    This review first appeared at Scene Alba:
    https://www.facebook.com/scenealba/posts/2091329810937212

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7 responses to “Reclaiming the web”

  1. Paul Hutchinson Avatar
    Paul Hutchinson

    Thank you for making me think in a different direction just before pausing for lunch. I have never had a blog, so came quite late to Internet social discourse, and have engaged more since joining one major network in 2010 and another in early 2014 – normally using those networks rather than a comment box such as this. Not all of us are natural creators of substantial original content, but like to be thoughtful in brief exchange, and so both those major networks, though cursed with many difficulties, serve those brief exchanges quite well. I do agree that the endless recycling of links (on both of them) can be wearying, and I do wish that some old friends would be a little more self-critical. But the price of any kind of social discourse is that one is vulnerable to the otherness of the other.
    I feel I ought to be writing a more substantial comment here, but hope that this is enough. The time is not always there to offer deeper reflection: but sometimes a blogger needs to hear at least a small splash from the stone thrown down the well!

    Reply
    1. Kelvin Avatar
      Kelvin

      Thanks for the comment, Paul. I’m aware that not everyone is a content creator, but perhaps what I miss is the sense of discovering different communities online and keeping the comments more or less in one place helps with that.

      The glory days of 50 or more comments on a post are probably over. I suspect I mourn the sense of community being created even more than I miss the interesting reflections of others. Retweets and shares are always welcome – but they are the means of amplification. Becoming loud isn’t the same as becoming wise, nor the same as becoming connected.

      Reply
  2. Seph Avatar
    Seph

    It’s a damnable shame—and mostly the fault of Facebook. Twitter at least has an etiquette of sorts, wherein it is considered impolite not to respond to the original tweet, which is usually made by the blogger in question.

    Facebook, in short, is the scourge of the Internet. I have often been in groups which have decided to do all of their organizing on Facebook, despite my protests that I’m not on Facebook and don’t want to be, and really an e-mail list would be just as easy, and would they like me to set one up. This inevitably leads to my marginalization within the group, as no-one bothers to keep me abreast of the discussions to which I am not party.

    Can you tell I’m upset about this?

    Reply
  3. Daniel Lamont Avatar
    Daniel Lamont

    I am only an occasional user of Facebook but I know what you mean, Kelvin. And indeed, I never read the comments ‘below the line’ on newspapers like ‘The Guardian’. You offer some useful advice. I read yours and one or two other blogs on a regular basis but don’t always comment. However, I can see that the author of a blog would like some feedback. I would be sad not to have the blogs that I do read because they do give me a sense of what people are thinking and an odd sense of community.

    Reply
  4. Father Ron Smith Avatar
    Father Ron Smith

    My own contribution to the blogopshere is, I’m afraid, Father Kelvin, limited to comments I make on other people’s blogs (such as ‘Thinking Anglicans’ and ‘Anglican Down Under’ – a local NZ forum; plus my own blog ‘kiwianglo’, where i pluck articles that interest me personally from the web and provide my own commentary. This still interests me, personally, and provides my few readers with information they might not otherwise be bothered to glean for themselves. Like you, I am no longer an avid Facebook fan.

    Reply
  5. David Campbell Avatar
    David Campbell

    Hi Kelvin – thoughtful as ever – and yours is invariably the first blog I turn to each day. That you bring pressing issues to a wider audience and to people who know, or used to know, the church you serve is a great thing. I’m still blogging relatively strongly, but it’s certainly a different blogging experience when work is set in a very different context and especially community from previously, writing these days mainly for myself about things that interest me, although not quite at the address you have in your Blog Roll. http://www.limpingtowardsthesunrise.com is where it’s “all” happening.

    Reply
    1. Kelvin Avatar
      Kelvin

      Thanks David – nice to hear from you. I’ve amended the link.

      I don’t think many people use blogrolls to find blogs these days but whenever I remove it my mother complains…

      Reply

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