• Culture Catch Up

    I’ve been on annual leave for the last week. It was my (rather late) post-Christmas break. Just after Christmas, I didn’t want to be away from either home or St Mary’s, probably due to having just come back from my three-month sabbatical. Hence, I put off taking time off until now.

    This year I threw myself into a culture catch-up with a wee trip to London.

    Here are the scores on the doors:

    Takin’ Over the Asylum at the Citz in Glasgow – solid reworking of a good TV series for the stage Rating: ★★★½☆

    La Traviata at the Coliseum
    – all done with curtains. The curtains open to reveal a set of curtains, which in turn are pushed apart to reveal a set of curtains, which in turn…. All in all a rather good postmodern interpretation. Then end worked well. You need a good seat for this one. Some of the action happened amongst the audience. Rating: ★★★★½

    Cocktail Sticks – a new piece by Alan Bennett about his parents. Made me laugh. Made me cry. Rating: ★★★★☆

    This House – an enormous new play by James Graham about the politics of the 1970s and 1980s. In other words, a play about the politics that I first remember. Rating: ★★★★☆

    Merrily We Roll Along – The Play. This was a mistake. Booked it at the last-minute thinking I was booking Merrily We Roll Along the Musical. The play is incomprehensible, particularly so in a rehearsed reading. This was a rehearsed reading. Lasted until half time. Rating: ★☆☆☆☆

    People – another new play by Alan Bennett. This one had the wonderful Frances de la Tour being an imperious old aristocrat. It also had an actress, a bishop and enough trouser-dropping to prove that farce has not died just because Brian Rix is no longer in charge. It is not Alan Bennett’s greatest work but greater than so many other people’s greatest work nonetheless. Rating: ★★★½☆

    Ice Age Art – the Arrival of the Modern Mind at the British Museum. This one is selling out every day – you need a timed ticket to get in. Fascinating, beguiling show of bits and bobs from Europe made by people we know so little else about. Enigmatic “venus” figurines and a ghostly puppet were my favourites. Rating: ★★★★☆

    Light Show at the Hayward Gallery. From prehistoric art to the art that depends on the technology of today. (I think we can be pretty sure that none of this will be around in 27000 years). An interesting show. Would perhaps have felt spiritual and holy if one had had the chance to go around it alone. As it was, there were too many other people. (Which was the theme of one of the Bennett plays above, oddly). Rating: ★★★☆☆

    Oh, and I met one or two people I know and one or two I know now.

    There we go – not a bad week all told. Four and a half plays and two big art shows. Oh, and I also worshipped last Sunday in a small congregation in the West End (just 19 of us gathered right where London’s heart beats strongest) and at Westminster Abbey on Tuesday evening for a gorgeous Evensong with dozens in the cast and hundreds in the congregation.

    God was present in both these services.

    And in the rest, I’d say.

    Quite a lot of dashing about, not least as I was only in London for three nights.

    And that’s what I did on my holidays. Rating: ★★★★★

4 responses to “D.I.V.O.R.C.E.”

  1. David Kenvyn Avatar
    David Kenvyn

    I am a little worried about this concept of “African Marriage”. It seems to assume that Africa as a continent is culturally homogenous. This is not something that we would ever say about Europe or Asia, and it is simply not true. Morocco has very little cultural similarity to Mozambique. In South Africa, Xhosa-speaking men are circumcised at about 16 years old. Zulu-speaking men are not circumcised. They live in neighbouring provinces and inter-mingle in the cities. I think we have to be very careful when we describe practices that are common in Nigeria or Tanzania or Namibia as African, as they may not apply across the whole continent. It would be like calling bullfighting or reindeer racing European cultural norms, when we know that they are specific to particular countries.

  2. Seph Avatar
    Seph

    I think what Christians and others need to bear in mind is that it is possible to be accepting of divorce as a fact of life while still valuing commitment and regarding marriage as ideally being a lifelong covenant. In truth, if a couple is considering divorce then there is already brokenness (or sin—although in this context the word has some uncomfortable connotations) in their relationship, and trying to maintain it purely because the Church (or, heaven forfend, God) Says No doesn’t seem to me to be in any way a holy or virtuous thing to do.

    ‘D.I.V.O.R.C.E.’ is a lot less effective an obfuscation in writing than when Dolly sang it.

  3. David Kenvyn Avatar
    David Kenvyn

    Jacob Zuma has five wives, Desmond Tutu has one wife, Nelson Mandela had three wives and divorced two of them. What does this tell us about the concept of “African Marriage”?

    1. Kelvin Holdsworth Avatar

      I was quoting an African priest. And I agree with you.

Leave a Reply

Your email address will not be published. Required fields are marked *

Previous Posts

  • Ministry of the Word – 6 March 2005

    I?m not preaching this morning ? there is a baptism in church which takes the place of the sermon today. However, for anyone looking for a reflection on this morning?s readings, here is a little Bible study on the three readings. First let us look at the old testament reading. The calling of David the…

  • Responses to sermon

    Many thanks to all those who have contacted me in response to last week’s sermon. I’ve been astonished by the generosity and warmth represented by e-mails from people all over North America, as well as by the cards and messages from people more locally. Here are a few typical responses: From Liz in the US…

  • We are beloved daughters and sons

    From an address given by the theologian Jane Williams on 25 February 2005. “We are God’s beloved daughters and sons, and we must not be tempted to let anything destabilize that central fact of our being. From that certainty, we can reach out to each other, and we can stand against darkness, and hinder it.”…

  • Subtext

    The music behind the words of last Sunday’s sermon was a hymn attributed to Hugh Bourne, the founder of the Primitive Methodist Movement. (It was also used in a production at the National Theatre some time ago). The idea of Jesus walking through Britain is the same basic stuff that is in Blake’s Jerusalem. At…