• Something Joyful

    Watch this video if you’ve not seen it already to see the power of song.

    Actually, if you’ve watched it already, watch it again.

    A big joyful shout out to New Zealand and all the New Zealanders that I know.

    Rejoice. New life comes. And it comes singing.

    As I listen to this, and I’ve heard it over a few times today, I find myself hearing the Great Music behind the singing. It is the sound of Love singing harmonies with Justice – something that is not merely promised in scripture but is also part of what inspires scripture in the first place.

    Arise, my love, my fair one,
    and come away;
    for now the winter is past,
    the rain is over and gone.
    The flowers appear on the earth;
    the time of singing has come,
    and the voice of the turtle-dove
    is heard in our land.
    The fig tree puts forth its figs,
    and the vines are in blossom;
    they give forth fragrance.
    Arise, my love, my fair one,
    and come away.

    (From Song of Songs 2)

    As I listen to that singing from New Zealand, I realise afresh that I don’t just want to change the law on marriage. I want to change the world so that that singing is heard day after day after day.

3 responses to “Recorded music in the liturgy”

  1.  Avatar
    Anonymous

    Re: Recorded music in the liturgy
    Dennis Potter has an awful lot to answer for.

  2.  Avatar
    Kelvin

    Re: Recorded music in the liturgy
    After the death of George Harrison I was at a Sunday Eucharist where the Rector played a tape of My Sweet Lord and based his sermon on it. Don’t think it was really appreciated but I didn’t hear any complaints either.

  3.  Avatar
    Kelvin

    Re: Recorded music in the liturgy
    The only time I can remember this really working was when the Piscy College was at Coates Hall and after the Friday evening Eucharist the student who had been leading that week’s services, Kevin Bean, turned on a cassette of Boney-M singing Rivers of Babylon. I still recall the surprised grins on people’s faces and Gian Tellini practically skipping out of the chapel

    Ian Burdon
    (Coates Hall 1977-79)

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