I have just issued the following statement:
“I am delighted to hear that the Anglican Church in Brazil has just changed its marriage canon to allow same-sex couples to get married. As we have rejoiced in St Mary’s Cathedral Glasgow in recent months with couples who have waited years to be married in church, so we rejoice with couples doing the same thing in Brazil.
“All God’s children are equally beloved. We rejoice as greater equality comes to another part of the Anglican Communion”
Really missed your blogs – glad they are back on line – thank you!
Yes, I’ve missed your blogs too. Welcome back.
David got into a bit of trouble with his wife for dancing in the street – I think she was more concerned about his dancing in front of other women than concerned about his dignity. Marriage can be like that. Still a great institution though.
In certain situations dignity can be important. But I agree that our Lord doesn’t care if we let our dignity slip, he wants authenticity. By the way, as a mother of four children I can reveal that birthing suites in hospitals are no place for dignity!
I’ve never heard any explanation other than the idea that David was letting it all hang out. As such it is a challenge to all of us from a strict liturgical tradition: is it really providing space for us to express over the top enthusiasm for God? Of course for some people it does; Thomas Merton’s excitement at being allowed to say Mass THREE TIMES on Christmas Day is… different. But in a culture where noisy dancing is the norm for a ‘night out’, it should be no surprise that the likes of ‘Hillsong’ make a major impact. Is there space for that in our churches, or are we marginalising such people?
We’ve been clearing some old documents out of the dank crypt this week and one or two interesting things have emerged. Not least a couple of photographs from 1962. We forget now that we photograph anything and everything all the time that in previous decades a photo was relatively rare. This one was taken at…
This review also appears on the Opera Britannia website Rating: Taking Alban Berg’s Lulu as a starting point, Scottish Opera at the Edinburgh International Festival present American Lulu – a new re-envisioned interpretation of this piece by Austrian composer Olga Neuwirth, who re-orchestrates Berg’s original, attempts to set it within the context of the Civil Rights movement in America and provides a conclusion to compensate…
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