What is in Kelvin's Head?

Review – Don Pasquale – Scottish Opera

29/01/2014

Rating:

This review also appears at Opera Britannia

Obviously intended to be another populist crowd-pleaser, Scottish Opera’s new production of Don Pasquale is visually gorgeous but sabotaged from the pit by conducting from Francesco Corti that is bold, daring and utterly insensitive to the fact that anyone is singing.

Things began well. On entering the theatre, the curtain was dominated by a large projected image apparently advertising the production. The first few bars of music came at a cracking pace and then a pause slightly more pregnant than usual as the digital image was revealed to be the first page of a digital book. As the overture continued, an unseen hand then started to scroll through the pages which turned out to be the pages of an Italian photo-story featuring the characters we were about to be introduced to. They gave the back-story to the production which was, and one is aware in the telling of it that there is a lot to swallow here, that the old bachelor Don Pasquale loves cats but is sadly allergic to them. Upon this artifice, which is unsupported by the libretto, hung quite a lot of the production. We saw in the unfolding comic-book story that Don Pasquale was having tests from a doctor to determine what it was that was causing him to be ill and that it turned out to be cats. Cats had to be eliminated from his life and these were then replaced by lots of artificial cats. The digital book was done with some panache though it is difficult to affirm the decision to have the text of the speech bubbles in Italian with no translation.

When the overture was finally over and the narrative thus established, the curtain finally went up to reveal André Barbe’s brilliant set design. Again there was something of the comic book about the set which took us to Pensione Pasquale – a small lodging house in Rome, sometime on the cusp of the swinging sixties. Vibrant colours dominated the stage and a magnificent painted backdrop showed the local buildings towering over the Pensione. Draped between the rooms that we could see and the sky above were yards of washing all out to dry in the sun on clothes lines.

And thus we found Don Pasquale consulting Dr Malatesta about his allergies and apparently being assured that there could be no cats for him. Around the old man himself were stuffed cats, china cats and plastic cats. Cats indeed, of every kind. All of this cat business was really leading to the best joke of the show – a brilliant visual gag at the final curtain which it would be unkind for the reviewer to reveal to anyone who might see the show. However, reflecting on it after seeing the show, one is struck by how odd this feline premise was. (more…)

cats, Don Pasquale, Scottish Opera

7 responses to “The Archbishop, the gays and their sins”

fakepete

25/02/2015

Nicely put, he seems to feel entitled to freedom from criticism. It’s a censorious attitude that I thought the CoE put behind it when most of us learned to laugh at the Life of Brian and it is contradicted by the church’s own call to participation in democracy.

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Andrew

25/02/2015

The poor old Arch. He really is an old school establishment man who cant really understand where the deference has gone. The Green Report, the other Reports on the ‘future’ of the Church of England and the ‘Conversations’ all speak of a deeply controlling man who is deeply frustrated that there is no control to be had any more. When the split comes he will probably want to make what is left into a more confessional and defined group (the evangelicals have always wanted that) but I suspect the Church that will emerge will be more liberal than he likes even if it is outwardly more evangelical and enthusiast than the Church of England has been for a very long time

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1. fakepete
  
  27/02/2015
  
  @Andrew I’d switch that around. Justin Welby is someone who does not show deference to what has in Western society become The New Orthodoxy (definitions on a postcard please), this is why he provokes such puzzlement, and thus consternation and anger.
  
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2. Daniel Berry, NYC
  
  03/03/2015
  
  Andrew, I don’t see how that can be, really: he hasn’t the pedigree to be “an old school establishment man.” He’s a late vocation who had been a high-power figure in the corporate world–meaning he’s undoubtedly accustomed to having the last word.
  
  As to his attitudes toward gay people, I’m disgusted with him and the many others who accept the natural sciences’ contradiction of bible, but just can’t bring themselves to the same place with the behavioral and social sciences, and even with medicine itself–ignoring along the way that homosexuality is found in upward of 450 animal species besides our own. Otherwise they seem perfectly comfortable with dispensing with the savagery found in much of “holy scripture.”
  
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Dharma Nicodemus Cuthbert

26/02/2015

I love the line “who am I to judge them for their sins, if they have sins” makes us seem angelic compared to those who have children. Only one problem we, according to the bible commit sin just by being together. Does this mean that he is disagreeing with orthodoxy, and we are not sinning by being together.
God bless all and may his words of love bring more, troubled, souls to him.

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1. JCF
  
  28/02/2015
  
  “Only one problem we, according to the bible commit sin just by being together.”
  
  I *think* you meant “according to false translations/interpretations of the bible…” (or should have meant).
  
  “Being together”: can we call sex, “sex”? If not, why not? [And can we call marital sex (same- or opposite-sex) “marital sex”?]
  
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Daniel Berry, NYC

03/03/2015

best line for me:

You say that stuff and you are going to get people observing that there’s a lot more archbishops who claim that gay people are their friends than gay people who claim archbishops are their friends.

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