• Predictions for 2020

    1. Scotland will not vote for Independence in 2020
    2. No progress for those hoping for Equal Marriage in the Church of England.
    3. Narrow Democrat victory in American election – country as divided as ever – widespread belief that the election was rigged.
    4. Scottish government proposals on reforming the Gender Recognition Act go through largely as proposed in consultation document.
    5. Limited agreements at COP talks but derided as too little too late.
    6. UK leaves the EU and is subsequently unable to agree a substantial deal.
    7. No trade deal with the USA
    8. Yvette Cooper will become the leader of the Labour Party.
    9. Stock market lower at the end of the year than it is today.  (FTSE 7,542.44)
    10. Increasing visible support for LGBT Roman Catholics from within the Roman Catholic Church.

One response to “Review: Orfeo ed Euridice, Scottish Opera”

  1. Alison Clark Avatar
    Alison Clark

    I agree about the orchestra – competent enough but too large I thought. But I loved Caitlin Hulcup’s Orfeo. I saw the production at the Sunday matinee and passion there was a-plenty. ‘Che faro’ delivered from lying to kneeling to standing was just wonderful. So much so that I struggled with the swift transition from tragedy to happy ending, made more acute by Amor – if Grace Kelly, then a rather louche version!
    I did enjoy it but your review made me realise what was unsatisfying for me. The ‘Mad Men’ 50s theme (seems to be a current choice for designers) was at odds with what is quite a profound myth. It was fun but that’s not what I go to Orfeo for. Maybe i need to lighten up!
    As to the ‘steampunk party’, it was the underworld surely – but if Hades is that camp, then it might be quite fun. Loved your description of the lime green nuns!

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