What is in Kelvin's Head?

  • Sermon preached on 4 August 2013

    I used to work in a church with murals. Well one mural. It wasn’t this church and it wasn’t these glorious murals. It was somewhere else entirely.

    (By which I mean Edinburgh).

    Throughout the late fifties, the sixties and early seventies, a sustained period of liturgical reform had happened. The altar had been pulled away from the wall. The priest now faced the people. The peace was shared and communion started to happen every Sunday. Those of you who have been around for a bit might remember that story from all kinds of contexts. Those who are new to Episcopal worship might be surprised to learn that how we do things is not in fact as old as the hills at all.

    Anyway, these liturgical reforms in this church had left a big space to fill. Somewhere along the way, the East Window had been bricked up and whitewashed over and now there was a giant wall to fill.

    And, of course, just as we can be sure that someone was heartily trying to encourage the congregation to sing Kum By Yah. so, inevitably, someone got to paint a mural.

    Unlike Gwyneth Leech’s paintings, which surround me here in this church. this was a rather less successful piece. (more…)

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4 responses to “How to Keep Holy Week”

  1. Christine McIntosh Avatar
    Christine McIntosh

    I have never been able to attend any part of the Triduum services in another church. Some day …

    Reply
  2. Rosemary Hannah Avatar
    Rosemary Hannah

    I had really hoped to be able to push for/be part of an over-night Vigil this year, but my family commitments currently make that hard (my grandson needs a more or less awake Nana on Easter Day) but I am sure the time will come. It would be a brilliant thing to do.

    Reply
    1. Rosemary Hannah Avatar
      Rosemary Hannah

      And to really tell the bible – not just readings but proper stories, to bring the whole thing to life. Not extracts, giving one no time to get to grips with the the content, but a real chance to see it as – well to be honest, very largely as the Deuteronomistical historians wanted one to see it.

      Reply
  3. Allan Ronald Avatar
    Allan Ronald

    It was always the Crux Fidelis setting by John IV of Portugal that moved me most when I was part of the congregation at the London Oratory. And considering how potent the rest of the liturgy was, that is saying a lot.

    Reply

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