What is in Kelvin's Head?

  • The Sloans Project – Opera Review

    Rating: ★★★★☆

    This review also appears on Opera Britannia’s website.

    The Sloans Project is an exciting new opera that has been around for a couple of years but is revived for this year’s Edinburgh Fringe. This performance was one of two being given in its original setting – the Glasgow public house from which its stories derive. It now moves over to Edinburgh in a brave attempt to relocate a piece which has hitherto been regarded as absolutely site specific and tied to its origins. The Sloans Project is an innovative and gripping piece and deserves to succeed in any setting. All parts were played by a quartet of singers accompanied by half a dozen musicians.

    We begin, of course, in the bar. Arriving in Sloans on a Wednesday afternoon, it was not immediately obvious that there was any performance scheduled at all. It was simply an old bar room filled with locals drinking. A young chap (in fact the composer, Gareth Williams) sat at the bar with a glass of water and a musical score in front of him, but that was the only clue that a performance was in the offing at all. Suddenly though, he dipped his finger in the water and started circling the glass, making it sing. As he did so, other previously unnoticed members of the company dotted around the bar began to do the same. In moments the whole bar seemed to be singing its own ringing, gathering chord. A woman then appeared through the door and began to sing. It was an electric beginning to a piece which was full of drama.

    The Project is not a continuous narrative. Rather, it is a series of five scenes drawn from stories connected with the bar. Three characters re-occur from the first scene in the last, bringing some kind of conclusion to proceedings and the audience is guided from room to room, up and downstairs to a different location for each scene by a Landlady who turns out to be something of a narrator figure. The scenes are drawn from different periods in the history of Sloans. (more…)

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32 responses to “Sign seen”

  1. Robin Avatar
    Robin

    What was the character of the debate? If one believes that the admission of women to the threefold ministry of the Church was an extension of an existing doctrine, not a doctrinal change, and that the dropping of the ‘filioque’ clause from the Creed wasn’t a doctrinal change either (nobody is compelled to deny that the Holy Ghost proceeds from the Son), the change to the doctrine of initiation was the most important doctrinal change made by the Scottish Episcopal Church not just in my lifetime but perhaps even in the SEC’s history. It amazes me that it seems to have been so uncontroversial.

    Reply
  2. Robin Avatar
    Robin

    (I don’t say I necessarily disapprove of the change. I’m quite happy not only for the unconfirmed but also for the unbaptised to be admitted to Holy Communion and would turn away no-one – except perhaps ++Judas Williams, and even then probably not – from the altar. But I can’t understand how a Church can teach two contradictory things at once.)

    Reply
    1. kelvin Avatar
      kelvin

      To a certain extent, saying two contradictory things at once is part of the consequence of having old liturgical formularies alongside modern ones, I think.

      (If you are not going to say something new, what’s the point in producing something new after all).

      The modern descriptions of marriage in the 2007 marriage rite don’t seem to me to be entirely consistent with the marriage rite of 1929, for example.

      It is the way we live now.

      Reply
  3. kelvin Avatar
    kelvin

    Well, as I said, there were several of us who spoke against the change, for one reason or another but it was passed by a fairly high majority, I think.

    It seems to me that there is just about every view about initiation into the Christian church that has ever been held is currently also held and practised in the Scottish Episcopal Church. Indeed, there are varieties of practice and procedure within congregations and even within families.

    Reply

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