2 responses to “Coming Out, Coming In, Coming Home”
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I found this post (and your blog) via Mosaic Scotland, and reading it has made me very happy. I’ve struggled with faith and sexuality and my relationships for a long time, and a lot of people have asked me why I bother trying to reconcile who I am with a church that doesn’t accept me; what you wrote here is *exactly* why I do –
“You ask me why I stay? I stay because some things are worth fighting for. Some things are worth changing.”
I just wanted to thank you – this has absolutely made my day. -
Very thoughtful stuff Kelvin…beautifully written too 🙂
Previous Posts
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News from around the Scottish Episcopal Church – March 2015
United Lent Appeal The College of Bishops has launched a Lent Appeal to raise funds for the Scottish Episcopal Institute, the new body that is the successor to the troubled Theological Institute of the Scottish Episcopal Church. The Lent Appeal is to raise funds to enable full-time training for younger ordinands. The following prayer has…
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Silence is Golden
Forum on Silence from St Mary's Cathedral, Glasgow on Vimeo. Somehow I managed to forget to publish this video on the blog but it is worth taking a look. It came from a forum conversation that I had with the Vice Provost, Cedric Blakey the other week. The point of this was to have a…
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The Archbishop, the gays and their sins
One of the things that we’ve learned about Archbishop Justin Welby in recent weeks is that he gets upset about what people write about him on social media. He wrote at some length about how what gets written online is upsetting and he’d just prefer to have personal contact with him rather than sounding off…
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Review: Orfeo ed Euridice, Scottish Opera
This review originally appeared for Opera Britannia. Scottish Opera have managed to produce another underwhelming show that, though visually arresting, leaves one with more questions than answers. There are things to praise about Ashley Page’s directorial debut for Scottish Opera: his ballet background clearly has given him an intense sense of theatrical spectacle that was…
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