What is in Kelvin's Head?

What institutional homophobia looks like

19/04/2017

Here’s a quick example to illustrate what institutional homophobia looks like.

Yesterday the report of the Theological Forum of the Church of Scotland to the General Assembly was published and it deals with a number of issues of interest to LGBT people. (It is well worth a read).

Amongst the “deliverances” ie proposals to go to the General Assembly from that Forum is this very clear call for an apology to LGBT people.

The General Assembly:

Invite the Church to take stock of its history of discrimination at different levels and in different ways against gay people and to apologise individually and corporately and seek to do better.

What could be clearer? Should the General Assembly apologise for discrimination against gay people it would be a huge and significant moment and very much to be welcomed.

However, listen to what the Principal Clerk to the General Assembly, the Very Rev John Chalmers of the Church of Scotland said on TV last night about the proposal:

“What the General Assembly is being asked to do this year is acknowledge and apologise for some of the harsh things that have been said on both sides of this debate over the last 20 to 30 years and I think the General Assembly will readily want to do that.”

This is very clearly not what the General Assembly is being asked to do.

This is a good example of institutional homophobia. In describing a call to apologise to gay people, gay people and their supporters are represented as being people making statements for 20 or 30 years which need to be apologised for.

I don’t believe that John Chalmers is a homophobe. Just the opposite. I’m quite sure that he is charming to gay people and I suspect he wants the church to accept gay people. However, put in a public position to explain a proposal to apologise for discrimination he gets it very wrong.

I have no doubt that there are huge institutional pressures on him over this issue and that is why he speaks as he does.

However, this looks to me like a very clear example of what institutional homophobia looks like. Institutional homophobia seems to come most often from people who are personally supportive of those of us who are gay.

Ironically, this is the kind of thing that needs to be apologised for.

We have it in our church too.

I find that people don’t like me pointing it out.

9 responses to “The Lament Question”

kimberly

12/08/2009

ask it in the singular, and the answer is: because you’re a four.

you’ll have me playing the funeral ikos next.

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kimberly

12/08/2009

the other answer is about possibility being revealed in limits.

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kelvin

12/08/2009

Its not just me though, and not just fours.

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Aaron Orear

12/08/2009

I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

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Erp

12/08/2009

I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

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RosemaryHannah

12/08/2009

Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

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Elizabeth

13/08/2009

Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

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Ritualist Robert

14/08/2009

Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

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Steve

14/08/2009

I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

There is also a hint of an answer in this poem by Edwin Muir:

Yet still from Eden springs the root
As clean as on the starting day.
Time takes the foliage and the fruit
And burns the archetypal leaf
To shapes of terror and of grief
Scattered along the winter way.
But famished field and blackened tree
Bear flowers in Eden never known.

Blossoms of grief and charity
Bloom in these darkened fields alone.
What had Eden ever to say
Of hope and faith and pity and love
Until was buried all its day
And memory found its treasure trove?
Strange blessings never in Paradise
Fall from these beclouded skies.

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