What is in Kelvin's Head?

  • Not in my name. Not in my city.

    Last night I was in the centre of Glasgow to see a film (the brilliant Pride movie) and then to have a drink with a couple of folk from church. This meant passing through George Square a couple of times.

    It was obvious that there was something up – a small group of people had put Union Jacks all around the war memorial and had apparently previously been giving neo-nazi salutes whilst singing God Save the Queen. There are reports of homophobic abuse and abuse aimed at those wearing Yes badges too. It was an ugly reminder that all is not well in this city.

    Most of the time, I don’t see much of the sectarianism that has blighted this city for so many years but this was obviously trouble coming from the loyalist side. (What it means to be loyal to Her Majesty whilst saluting like a Nazi completely escapes me). Last night’s trouble, which was contained well by the police whilst I was there, was opportunistic trouble-making piggy-backing on the referendum issues of the last few days.

    I was sorry to see it and utterly condemn it. There’s no place for violence in a democracy and though Scotland has felt a deeply uncomfortable place to me for the last week, we have been mercifully free from real unrest.

    Such behaviour falls outside what anyone of goodwill would want for our society, whatever any of us voted earlier in the week.

    What was happening last night was unwelcome, unnecessary and completely wrong.

    I hope to see no more.

    Not in my name.

    Not in my city.

    ,

4 responses to “Sunday's Lament”

  1. chris Avatar
    chris

    As I read that lament on Sunday, I was singing inside my head the wonderful Tomkins’ setting of the lament. As an alto, I could be accused of bias – the suspensions between the two alto parts are hair-raising in their beauty – but to me nothing can match it. You can hear it here

    Reply
  2. RosemaryHannah Avatar
    RosemaryHannah

    Oh dear me, yes. Let’s all wear pink and have a celebration.

    Your video camera however does not let one get anything like the quality of the voice in space experience of last Sunday. And I write as one not musical.

    Reply
  3. RosemaryHannah Avatar
    RosemaryHannah

    I think, too, it always would work best for a single male voice, because it is so heavily tied to a single male figure. It is superb writing, superbly put to music.

    I don’t want to ‘dis’ your only-too-correct comments on the space between our understanding and that of the Iron age. But I think that two things may offer a little light on how and why we read the succession narrative.

    The first is that it is an outstanding piece of writing by any standards at all. The terrible attempt by the lectionary to cut it on Sunday just pointed that up (not the first time I’ve wondered what the editors of it thought they were doing). Good story has its own power.

    Secondly, one has to ask who commissioned this account and why. I think the answer has to be Solomon’s court, as ’twere – thus not only does one have to explain why Solomon succeeded one also has to paint a very flawed but still in some ways great David. A man one might be glad to have as a father, and a man who it would be possible to offer a better alternative to. The last King, if a relative, should neither be too good or too bad. QED.

    Reply
  4. revruth Avatar
    revruth

    Oh my word! Why have I never heard this before? It is glorious and I am in love with it. There is absolutely nothing like a good lament. Dido’s Lament had better look out.

    Reply

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