What is in Kelvin's Head?

  • Pictures to think about #2

    There I was last week standing in the Basilica of San Vitale in Ravenna, staring up (as you do) at the stunning mosaics high up on the walls. The pictures are astonishing and I may get round to posting some of them online later.

    My attention was distracted though by a small boy rushing backwards and forwards in front of the altar. Whilst everyone’s eyes were up towards the ceiling, he was staring intently down at the floor.

    image

    Backwards and forwards he went – to and fro. It took me a few moments to realise that there was a pattern to his movements. He alone in the place had realised that there was an old labyrinth laid into the floor right in front of the altar. He was following in the pathway right into the middle, at which point he ran off to find some other entertainment.

    It is a fairly small labyrinth – about 12 feet wide and made more for small feet than my own feet. (Labyrinths – Young Church, hmmm…)

    All the same, I started to walk it and soon found myself thinking about those whom I had brought with me on my travels in my mind. As a priest it is a kindness to your congregation to forget about most of them when you go away on holiday. Everyone needs time off and you can serve better when you get home if you have a rest for a while. All the same, some people linger in your mind and I found some of them with me as I travelled the circles in front of the altar. And those whom I think about from my own life too – the people I carry in my heart wherever I go, some of whom do the same for me and some of whom would be astonished to know they were being prayed for in a sixth century basilica in modern day Italy.

4 responses to “Sunday's Lament”

  1. chris Avatar
    chris

    As I read that lament on Sunday, I was singing inside my head the wonderful Tomkins’ setting of the lament. As an alto, I could be accused of bias – the suspensions between the two alto parts are hair-raising in their beauty – but to me nothing can match it. You can hear it here

    Reply
  2. RosemaryHannah Avatar
    RosemaryHannah

    Oh dear me, yes. Let’s all wear pink and have a celebration.

    Your video camera however does not let one get anything like the quality of the voice in space experience of last Sunday. And I write as one not musical.

    Reply
  3. RosemaryHannah Avatar
    RosemaryHannah

    I think, too, it always would work best for a single male voice, because it is so heavily tied to a single male figure. It is superb writing, superbly put to music.

    I don’t want to ‘dis’ your only-too-correct comments on the space between our understanding and that of the Iron age. But I think that two things may offer a little light on how and why we read the succession narrative.

    The first is that it is an outstanding piece of writing by any standards at all. The terrible attempt by the lectionary to cut it on Sunday just pointed that up (not the first time I’ve wondered what the editors of it thought they were doing). Good story has its own power.

    Secondly, one has to ask who commissioned this account and why. I think the answer has to be Solomon’s court, as ’twere – thus not only does one have to explain why Solomon succeeded one also has to paint a very flawed but still in some ways great David. A man one might be glad to have as a father, and a man who it would be possible to offer a better alternative to. The last King, if a relative, should neither be too good or too bad. QED.

    Reply
  4. revruth Avatar
    revruth

    Oh my word! Why have I never heard this before? It is glorious and I am in love with it. There is absolutely nothing like a good lament. Dido’s Lament had better look out.

    Reply

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