What is in Kelvin's Head?

Our Cynicism

07/03/2013

I think we had a reasonably good day at the Diocesan Synod last weekend. A large part of the day was given over to discussion about poverty, welfare reforms and the consequences of government policy.

The only thing that started to make me feel a little uncomfortable is something which has been getting to me in a number of gatherings recently – what feels like a disconnect between decent people and the political process.

I was co-facilitating the large group discussion on Saturday afternoon and was working pretty much to a script. I found some questions arising in me though that went neither asked nor answered.

I wanted to stop the discussion for a moment and ask, “How many people here feel they don’t trust politicians to make the right decisions?”

It isn’t possible to be certain but I suspect from what I was hearing discussed in other parts of the day, that it would be a quite a strong majority of the people there.

I’d have followed it up with a supplementary question, “How many of us have written to or contacted an MP or MSP in the last six months either about the topics under discussion or about anything else relating to government policy”.

Would as many hands have been raised?

All of which leads me to wonder whether the repeated scandals in our institutions seem so compelling to watch unfold because by watching them we feel that it all must be someone else’s fault. If the poor are hungry – it must be the fault of politicians. If I feel uncomfortable by the manner in which the media does its work it must be the fault of journalists. If the economy can’t look after our vulnerable it must be because of the bankers and not my low taxes.

I’m not saying that we should expect anything less than the highest standards in public life.

I am suspecting that in order to achieve them we need to be more than mere spectators.

bankers, poverty, public life

9 responses to “The Lament Question”

kimberly

12/08/2009

ask it in the singular, and the answer is: because you’re a four.

you’ll have me playing the funeral ikos next.

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kimberly

12/08/2009

the other answer is about possibility being revealed in limits.

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kelvin

12/08/2009

Its not just me though, and not just fours.

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Aaron Orear

12/08/2009

I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

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Erp

12/08/2009

I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

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RosemaryHannah

12/08/2009

Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

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Elizabeth

13/08/2009

Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

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Ritualist Robert

14/08/2009

Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

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Steve

14/08/2009

I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

There is also a hint of an answer in this poem by Edwin Muir:

Yet still from Eden springs the root
As clean as on the starting day.
Time takes the foliage and the fruit
And burns the archetypal leaf
To shapes of terror and of grief
Scattered along the winter way.
But famished field and blackened tree
Bear flowers in Eden never known.

Blossoms of grief and charity
Bloom in these darkened fields alone.
What had Eden ever to say
Of hope and faith and pity and love
Until was buried all its day
And memory found its treasure trove?
Strange blessings never in Paradise
Fall from these beclouded skies.

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