• Guest Post: Why I am an Episcopalian – Christine McIntosh

    In this Guest Post, Christine McIntosh reflects on why she is an Episcopalian. Chris lives in Dunoon, doon the watter from Glasgow and blogs at www.blethers.blogspot.com

    “Oh, so you’ve said goodbye to reason, then?” Maybe I had. At the age of 27 I had just informed my father that I was going to be confirmed in the Cathedral of The Isles – not, I add, because I thought my parents might want to be there, but to explain why I would not be celebrating my 28th birthday on the actual day. Nominally Presbyterian, but not having had any truck with church since the age of 10, I had encountered the beauty, the mystery and the music of the Piskie church on Cumbrae, where I had met the old Dean, George James Cosmo Douglas, while singing Evensong for a week with our quartet. When he died at the age of 84, we sang the Kontakion for the departed over his coffin – and that was it. I was clobbered. That’s what it felt like – an explosion of certainty, followed by consternation. Suddenly it was all true, this stuff I’d been singing and chanting, and I didn’t know what to do next. The only person I could discuss it with was dead. I was lost before I’d begun. (I ended up being prepared for confirmation by Iain MacKenzie, the Rector of Holy Trinity, Dunoon, and the rest is history – why else would I have moved there from Glasgow?)

    Now, all that reflects the emotional state of someone who has just lost a friend for the first time – for friends are different from family. I was at my first funeral, ever. I was singing wonderful music in a state of emptiness, in a numinous place. I reckon God took a chance while the barricades were down. But the manner of my conversion gives the clue to why I’m a Pisky rather than anything else. In that early experience, back in the late 60s and early 70s, I found the mysterious element that still makes belief possible – the silence that allows the other to take over, the refusal to pin things down and thereby diminish them. That is why, for all the joy of an exuberant Cursillo service or the happiness children can bring to a church, I still need time to be silent, space to avoid distraction.

    Music, then, and liturgy with all its poetic possibilities, and room for questioning and unknowing, and open-ness to change – these keep me the Piskie I became in 1973. And as my entire Piskie life has been lived in the Diocese of Argyll and The Isles, I’ll add one more thing. In Argyll, there is always a sense of life lived on the edge – the edge of Scotland, the edge of Europe, but also the edge of a precarious journey, a ridgewalk through faith with the winds of God blowing round my head. There is no room for complacency in the church I know and love. And that suits me just fine.

9 responses to “The Lament Question”

  1. kimberly Avatar

    ask it in the singular, and the answer is: because you’re a four.

    you’ll have me playing the funeral ikos next.

  2. kimberly Avatar

    the other answer is about possibility being revealed in limits.

  3. kelvin Avatar

    Its not just me though, and not just fours.

  4. Aaron Orear Avatar

    I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

  5. Erp Avatar
    Erp

    I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

    Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

  6. RosemaryHannah Avatar
    RosemaryHannah

    Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

    I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

    And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

  7. Elizabeth Avatar
    Elizabeth

    Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

  8. Ritualist Robert Avatar
    Ritualist Robert

    Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

  9. Steve Avatar
    Steve

    I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

    There is also a hint of an answer in this poem by Edwin Muir:

    Yet still from Eden springs the root
    As clean as on the starting day.
    Time takes the foliage and the fruit
    And burns the archetypal leaf
    To shapes of terror and of grief
    Scattered along the winter way.
    But famished field and blackened tree
    Bear flowers in Eden never known.

    Blossoms of grief and charity
    Bloom in these darkened fields alone.
    What had Eden ever to say
    Of hope and faith and pity and love
    Until was buried all its day
    And memory found its treasure trove?
    Strange blessings never in Paradise
    Fall from these beclouded skies.

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