What is in Kelvin's Head?

  • The Sloans Project – Opera Review

    Rating: ★★★★☆

    This review also appears on Opera Britannia’s website.

    The Sloans Project is an exciting new opera that has been around for a couple of years but is revived for this year’s Edinburgh Fringe. This performance was one of two being given in its original setting – the Glasgow public house from which its stories derive. It now moves over to Edinburgh in a brave attempt to relocate a piece which has hitherto been regarded as absolutely site specific and tied to its origins. The Sloans Project is an innovative and gripping piece and deserves to succeed in any setting. All parts were played by a quartet of singers accompanied by half a dozen musicians.

    We begin, of course, in the bar. Arriving in Sloans on a Wednesday afternoon, it was not immediately obvious that there was any performance scheduled at all. It was simply an old bar room filled with locals drinking. A young chap (in fact the composer, Gareth Williams) sat at the bar with a glass of water and a musical score in front of him, but that was the only clue that a performance was in the offing at all. Suddenly though, he dipped his finger in the water and started circling the glass, making it sing. As he did so, other previously unnoticed members of the company dotted around the bar began to do the same. In moments the whole bar seemed to be singing its own ringing, gathering chord. A woman then appeared through the door and began to sing. It was an electric beginning to a piece which was full of drama.

    The Project is not a continuous narrative. Rather, it is a series of five scenes drawn from stories connected with the bar. Three characters re-occur from the first scene in the last, bringing some kind of conclusion to proceedings and the audience is guided from room to room, up and downstairs to a different location for each scene by a Landlady who turns out to be something of a narrator figure. The scenes are drawn from different periods in the history of Sloans. (more…)

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14 responses to “Liturgical sadness”

  1. Robin Avatar
    Robin

    Has anyone else been following the series in ‘The Tablet’ taking the Latin Sunday Collects from the Roman Missal (Ordinary Form), printing alongside them the official English translations and then commenting on the Collects?

    The effect the series has on me is not what was intended. I spend much of my time being puzzled and irritated by the looseness of the translations from the Latin – words and phrases left out, new ideas included, and sometimes translations which are at best a paraphrase.

    The point of mentioning this is that what I’ve seen of the new English translation of the Roman Mass is undoubtedly more faithful to the Latin, which is, after all, the definitive form.

    This will be important to some and, I expect, an irrelevance to others. However, an ecumenical gesture we could make (pause for breathtakingly unpopular suggestion!) would be to incorporate the new relevant parts of the new translation in our own Liturgy. That really *would* show ecumenical goodwill.

    Reply
  2. David |Dah • veed| Avatar
    David |Dah • veed|

    “…the Latin, which is, after all, the definitive form.”

    That is certainly debatable. I fail to see that the purpose of the liturgical reforms of the 70s and 80s which resulted in many new liturgical books for most major denominations and prayer books for Anglicans, was to get us all back to the Latin Mass.

    Rome has pretty much cut the rest of us “free” so to speak, as irredeemable for all the heresies of women’s ordination and now GLBT ordinations and same sex blessings, and I am fine with that. I would not go anywhere near the Tiber, but I share Kelvin’s sense of loss of something we pew sitters shared around the world.

    Reply
  3. Robin Avatar
    Robin

    Just to clarify, when I wrote “…the Latin, which is, after all, the definitive form” I meant that it was the definitive form for Roman Catholics.

    Reply
  4. Ritualist Robert Avatar
    Ritualist Robert

    Vicky wrote: “… it is unlikely new conversion areas such as China would find Latin accessible.”

    A Roman friend of mine who probably would know said to me the other day that the Catholics in China use the Latin mass because they missed out on the reforms of Vatican II. Does anybody know if this is true?

    I went recently to a Latin mass here in Sydney with the same friend and most of the servers and the priest were from Vietnam … and a good deal of the back-to-the-future seminarians one sees at the papist cathedral seem to be Korean … so I am not sure that the formality of the Latin mass, or a more formal English one will put off Asian converts.

    It’s a pity that the ecumenical implications of this translation exercise haven’t been pondered a bit more.

    Reply

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