What is in Kelvin's Head?

  • Transgender Visibility and the Church

    Today happens to be International Transgender Visibility Day of Visibility.

    As yet, I’ve heard nothing today from anyone from a faith background. No bishops making statements either positive or negative, no-one threatening to leave a denomination over it, no statements at all really.

    It seems to me that it is worth me going on record to say that St Mary’s is a church which has transgender people connected to it.

    I suspect that wouldn’t particularly surprise anyone. Most people will shrug and say “oh, that’s just St Mary’s for you”

    However, I think it is worth my while saying that each of the three church communities that I’ve been part of since ordination has had transgender people as members of their communities. I’ve also met trans men and trans women in both of my times working in university chaplaincy. This has made me conclude that being transgender is a more common thing than I used to presume and it really is surprising that the church has nothing much to say about it.

    Members of the body of Christ are transgender.

    I’ve had to learn a lot as I’ve listened to people with that experience tell me about their lives.

    One of the things that I’ve learned is that some of the very common narratives that I have become used to hearing from lesbian and gay people of faith don’t really map onto transgender experience very well.

    Many many times, I’ve heard stories from gay and lesbian people of alienation and frustration within church communities which I’ve met by saying, “Well, I don’t think God makes mistakes – God made you attracted to the people you are attracted to and God doesn’t make mistakes”.

    However, that doesn’t really work for people who are on a trans journey. Not quite anyway. I’ve changed what I say a bit and now I think that I’d be more likely to say is that the essential truth is that God loves us as we really, truly are.

    Transgender people and those who are close to them are welcome at St Mary’s. I’d like to think that people already know that but I guess that with the silence I hear from the wider church it is worth saying out loud. The fact that I’ve known people with this experience in very different religious communities to the one I now lead gives me some hope.

    So – God bless all transgender people on this day of transgender visibility.

    God blesses the whole church through them.

    ,

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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