What is in Kelvin's Head?

The Beatitudes of Livestreaming

13/09/2024

Blessed are they who livestream their church services
for the Kingdom of Heaven is theirs to share with others and they know it.

Blessed are the sick and the dying in churches which livestream
for they shall be comforted by still being able to be part of their congregations
in addition to receiving the personal and pastoral care of their friends and clergy.

Blessed are those who are meek enough to know that audio matters more than video
for they will inherit the online audience.

Blessed are those who hunger and thirst for life-changing worship both online and in-person
for their love of God will be counted as righteousness.

Blessed are the joyful
for their joy online will light up the world.

Blessed are the purposeful
for they will make their livestreaming easy to find and they will ensure that
no-one needs to download a hymnsheet, a liturgy book and a pdf version of the notices.

Blessed are the livestream makers
for they are counted amongst the evangelists of today.

Blessed are the congregations who rejoice in the technical and digital skills of those who are often overlooked
for they shall reap a harvest of plenty.

Blessed are those who know that their worship would be better not livestreamed yet
for they know that they need to concentrate on renewing their in-person worship first.

Blessed are you when people make snarky comments about your livestream
for they are telling you they want it to be better for the honour and the glory of the Lord our God.

beatitudes, churches, livestream, online worship

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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