- Do you have a decent church website?
- Is it up to date?
- Is it responsive – ie does it work on mobile phones?
- Does your own online profile feature your ideas and hopes and dreams other than a desire for people to turn up to church?
- Do you know what you are doing with twitter and facebook?
- Who could you learn more about social media from?
- Do you have a compelling reason why people should come to your church other than where it is or what denomination it belongs to?
- Can everyone in the church tell you in one sentence what that compelling reason is?
- What is your beginners’ course like?
- What comes after the beginners’ course?
- Do people like the preaching?
- Do people enjoy the music?
- Have you dealt with conflicts from the past?
- Are the people friendly?
- Do you have any new groups starting soon?
- Do you talk about making the world a better place?
- How will people experience joy if they come to your congregation?
- If someone from your past turned up unexpectedly at worship how would it make you feel?
- How do you identify newcomers and what do you offer them?
- What problems will arise if you do grow and how will you deal with them?
- Do claims that you welcome everyone stop you working at welcoming those who traditionally find it hard to find a home in church?
- Do you use language that is inclusive of everyone?
- How do you know?
- Is there any identifiable group of people that you can’t explicitly say are welcome because of how an individual or group in the congregation will react?
- Do you want to grow or not?
6 responses to “Dialogue des Carmélites”
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Mmmmm now you’re giving me ideas!
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Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!
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I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.
The stage was littered with dead nuns by the end.
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It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).
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Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.
Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.
James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.
It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.
The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.
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It’s a great work – saw it at ENO.
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