What is in Kelvin's Head?

  • 25 More Questions for people who want to make their churches grow

    A lot of people seem to have been sharing my 25 Questions for people who want to make their churches grow on social media.

    So, here’s 25 more…

    1. If you didn’t have to go to your church on Sunday would you still go?
    2. Are the clergy happy?
    3. Are the musicians happy?
    4. Does the congregation have a stronger ethos than that of its denomination?
    5. What one thing could you change this week to make the worship better?
    6. Why didn’t you make that change last week?
    7. What steps are you taking to make the phrase “All are Welcome” come true?
    8. Do you do church business on a Sunday after church or is there a better time for that?
    9. In the next month are you more likely to spend time on ecumenical activities or church growth activities?
    10. Do people who leave become ex-members who have disappeared or do they still contribute to the life and ministry of the place?
    11. What is the noticeboard like?
    12. What is the first thing you see when you come through the door?
    13. Did you implement the recommendations of the last “mystery worshipper” you asked to give you a candid assessment?
    14. Which church events in the next six months will be newsworthy locally?
    15. Which church events in the next six months will be reported in the local media?
    16. Do you have enough staff and who decides this?
    17. What would your clergy really like to do that they can’t because of the laity?
    18. What would your laity really like to do that they can’t because of the clergy?
    19. Which would attract young families more – a bible-based week long summer activity for children or letting it be known that gay people are welcome in your church?
    20. Can you email those members of your congregation who want to receive regular updates?
    21. Do you email those members of your congregatio who want to receve regular updates?
    22. Has someone done the work required to make sure emails sent to large numbers of people don’t end up in spam boxes?
    23. Who in the congregation has gifts that could be better used doing a different job in the congregation than what they are currently doing?
    24. Who is your volunteer co-ordinator and is it obvious how to contact them?
    25. Can you volunteer without being a member of the church?

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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