What is in Kelvin's Head?

  • A simple question about Civil Partnerships

    Next week at General Synod we have the following motion being presented.
    Motion 24:
    That this Synod instruct the Faith and Order Board to instruct the Committee on Canons to prepare canonical material to enable the registration of Civil Partnerships to be undertaken in the Scottish Episcopal Church, so that a first reading of such canonical material can be considered by General Synod 2016.

    Now, the Scottish Government has indicated very clearly that it is going to consult on whether to open Civil Partnerships to straight couples.
    Can anyone tell me whether or not, if we agree to this motion at General Synod we will also be agreeing to the preparation of Canonical material which could potentially open the way to straight couples being able to register Civil Partnerships in church?

    I may have more questions and comments about this in due course. First of all though, I want to know more about this. Is the intention that this could lead to religious Civil Partnership for straight couples becoming a possibility in Scottish Episcopal Churches or not? More generally speaking, what would be the implications of passing this motion?
    Comments please.

    ,

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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