What is in Kelvin's Head?

It is a justice issue, isn’t it?

11/02/2015

The question is this – is LGBT inclusion a justice issue or isn’t it?

If we think it is a justice issue then we pray about it in church, right?

Those two questions feel to me a little uncomfortable.

We pray readily in churches up and down the land about justice issues – we pray about poverty, we pray for those who are down on their luck, we pray about homelessness. Increasingly (though still not that often) we pray about climate change.

If we believe LGBT inclusion is a justice issue (rather than a tricky and embarrassing disagreement) then we’ll pray about it, won’t we? In intercessions. In church. At the mass.

Won’t we?

Here’s a notice announcing a special service which has been organised by Changing Attitude Scotland to do just that.

The celebrant will be the Rev Kirstin Freeman. Others are very welcome to copy this idea. Anyone can have a Eucharist for Change.

But my question is really about regular weekly services.

We will pray. Won’t we?

LGBT, spirituality

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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