• Ditching the sermon – a dialogue for Holy Innocents

    dialogue with bishop
    This morning I decided to ditch the sermon in favour of a dialogue with Bishop Gregor.

    It has been a difficult Christmas in Glasgow with a major tragedy in the centre of the city as people were doing their last minute Christmas shopping. Bishop Gregor was himself there in the square just after the incident involving the bin lorry. In this conversation he describes what he saw, what he was asked to do and how he responded.

    Together we reflected on how Christians find God.

    This happened in the context of the Sunday morning Sung Eucharist instead of a sermon. It seemed the right thing to move the Feast of the Holy Innocents back to this day, it having originally been scheduled to be celebrated here tomorrow morning.

    As I said at the beginning of the service, Jesus wasn’t born into a fairy story, nor into a Christmas card – he was born into  the real world and sometimes we need to think about what that really means.

    Here’s the video:

    Dialogue between Kelvin Holdsworth and Gregor Duncan in Glasgow on 28 December 2014 from Kelvin Holdsworth on Vimeo.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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