What is in Kelvin's Head?

  • 10 questions arising from the misogyny of a “headship” bishop

    Plans were announced last night to appoint a new bishop in the Church of England who will specifically believe that women are subordinate to men to minister to, encourage and represent those in the Church of England who believe this, ie that men have been given headship over women by God, to be true.  (This isn’t a joke, this is real).

    This had been planned for some time and was part of the deal whereby that church agreed to open the Episcopate to candidates who happen to be female.

    It rather neatly proves some of the terrible things I was saying about the Church of England earlier in the week to be true.

    On this occasion, I take no pleasure in being right.

    The following questions arising from the misogyny of a “headship” bishop should now be raised:

    1. To Members of Parliament: Are you really comfortable with 1 million children being educated every day by an organisation with these values?
    2. To candidates in the next election: Will you support the disestablishment of the Church of England because organisations which behave in this way should have no privileged place in parliament?
    3. To the Archbishop of Canterbury: Do you realise that this makes you personally look like a misogynist too as suffragan appointments are always personal to the bishop involved?
    4. In the General Synod of the Church of England: …. and if people ask for a bishop with racist views to represent them, will we do that too?
    5. To the BBC: Why are you not covering this story as a major news item?
    6. To those who serve in Church House, Westminster: Why do progressive changes to the Church of England have to go through years of debate at General Synod and regressive ones don’t?
    7. To Primates around the communion: Why is this novelty and abuse of the episcopate acceptable when the appointment of a man who happened to be gay was so unacceptable?
    8. To the Prime Minister at Prime Minister’s Question Time: Does the Prime Minister share the concerns of many in this country that the Church of England is institutionalising misogyny.
    9. To the silent Church of England Bishops who believe themselves to be liberal: How do you sleep?
    10. To the first woman to be consecrated as bishop in the Church of England: Was it worth it on these terms?

     

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6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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