What is in Kelvin's Head?

  • Parliamentary Victory and Interview on Scotland Tonight

    I was glued to my computer last night watching the debate from the Scottish Parliament on introducing the legislation that will one day soon, allow same-sex couples to get married.

    It is difficult to describe what it was like watching it. In touch with others on twitter, I was aware of a certain amount of nervousness from some of those who have been campaigning on this. It isn’t surprising – a lot of work has gone into this. However, it was not just parliamentary process that was affecting me last night. It was the sight of one politician after another standing up and speaking positively about gay couples they know, changes in society that have made life easier for gay people or in some cases talking about themselves as gay parliamentarians. It is difficult for me to convey what this feels like to straight people. When I was growing up you simply saw no-one say anything positive about something that is pretty fundamental to who you are. Indeed, you either got negative messages or a corrupting silence which you somehow knew you were supposed to keep.

    Times have changed and that is why evenings like last night mean so much and in the end it was a decisive victory in the Parliament – 98 votes to 15 with five abstentions.

    Later on in the evening I was asked to go on Scotland Tonight on STV. It was a very enjoyable interview.

    Here’s some of the things I said:

    • Watching my twitter and facebook feeds light up when the vote came through was like watching the lights on a Christmas tree all light up.
    • This was a sophisticated and respectful debate and was the Parliament working well.
    • I don’t agree with issues like this being dealt with as a free vote but it was not a night for reservations but for celebrations.
    • The debate brought out the fact that support for same-sex couples being treated like everyone else extends into the churches. Increasingly people want equality for same-sex couples.
    • This is one of the fastest social changes that there has ever been. It is happening and it is happening now.
    • We don’t want any more “safeguards” in the bill – they are largely unnecessary anyway.
    • The Parliament has ensured that the country can go forward together. No-one is forced to do anything.
    • There’s still more to do around education, language (see the new Stonewall “Gay – let’s get the meaning straight” campaign) and support.
    • This is an amazing stepping stone towards equality.

    , , ,

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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