• What the Pope said was depressing not liberating

    Here’s what the Pope said today according to the BBC:

    Pope Francis said gay clergymen should be forgiven and their sins forgotten.

    “The Catechism of the Catholic Church explains this very well,” Pope Francis said in a wide-ranging 80-minute long interview with Vatican journalists.

    “It says they should not be marginalised because of this but that they must be integrated into society.”

    But he condemned what he described as lobbying by gay people.

    “The problem is not having this orientation,” he said. “We must be brothers. The problem is lobbying by this orientation, or lobbies of greedy people, political lobbies, Masonic lobbies, so many lobbies. This is the worse problem.”

    Well, we might have a slight change in tone from Benedict but this is a depressing statement not a liberating one.

    There’s nothing new here that is helpful and something that really isn’t.

    The bits that are not new simply follow the Catechism of the Roman Catholic Church Sections 2357-2359

    The bit that is depressing is the suggestion that gay lobbying is the real problem. In other words, gay people exist but shouldn’t do anything about their lives, should not advocate a better world for gay people, try to improve the lot of gay people nor try to save the lives of gay people in parts of the world where they are under threat.

    This is nasty stuff and I’m sorry to hear it.

    I’m even more sorry that the headlines that this has engendered will make people think there is hope when there isn’t really much hope to be had.

    Today the pope made an oppresive statement about gay people and the world’s media is reporting it as a great step forward for gay rights.

    Tell me, is saying bad things in a nice way better than saying the same old things in the same old way?

    I don’t think it is.

    And while we are at it, note that he condemned political lobbying. That’s chilling for different reasons.

    Of course, all this was in the context of being asked about the Vatican. (The existence of a “gay lobby” in the Vatican is currently much under discussion). All the same, these words are damaging words that will be read far from their original context. They do nothing to bring in the kind of world I hope for.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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