• Sermon – Pigs Might Fly

    Here’s the sermon that I preached on Sunday morning.
    (The video is also available on the Cathedral website).

    Because of the peculiarities of the clergy rota and the fact that we’ve had one or two special things going on like baptisms and hosting visiting preachers, it feels like a long time since I’ve been in the pulpit preaching. Indeed, I think it is about eight weeks since I stood here.

    Whenever I have a break like that from preaching and I sit down to write something new I tend to find my mind goes all blank. This game is actually easier if you play it every week.

    And as I sat this week, my mind went back to one of the people who taught me how to preach. He was someone who used to go around listening to students preach most Sundays and could tend towards the caustic in what he had to say about them. “Ah,” he used to say, “the traditional Scots sermon – three points, a poem and a death bed scene”.

    I don’t have a deathbed scene but let’s take three points – which today will be three ways of reading the story. Firstly looking at it at face value, then looking at it as an allegory and finally looking at it existentially.

    But let’s start with a poem. (more…)

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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