What is in Kelvin's Head?

  • Sermon for RSCM Music Sunday

    Here’s what I said on Sunday evening for the Royal School of Church Music – Music Sunday Massed Choirs Evensong

    Video available here.

    Just a few thoughts before our prayers – a few thoughts about what we are doing here tonight.

    I had it in mind to preach such simple things tonight. I was going to take as my starting place the story we heard of David playing his lyre to sooth Saul’s soul when Saul the King got crazy with his violent rages.

    My intention was to come up with a great paean of praise to music itself. For we do celebrate Music Sunday here.

    I was going simply to stand here and list the glories of the West End Festival that those of us who live in this city are enjoying and to sing the praises of the Royal School of Church Music under whose banner so many good things happen.

    I had it in mind to stand here like the conductor at the end of the Last Night of the Proms and to list the glories of our summer days. Of concerts and happenings and sung services and festival masses. And to cry for the glories of music, for music is inherently good.

    But something happened as I was sitting down to write this rhapsody of words in praise of music. (more…)

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6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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