• Choral Masses

    We’re having a month of Sundays at St Mary’s at the moment. Well, strictly speaking we are having a month of festival Sundays.

    The West End Festival is currently going on around these parts – the largest cultural event in Glasgow. One of the responses that we’ve made to it here in St Mary’s this year is to have special music on the Sundays in the festival. It has been a lot of work for the musicians, particularly as the church festivals (Pentecost, Trinity, Corpus Christi) which sometimes fall in West End Festival time were early this year and so we kept them with gusto before launching off on the festival programme immediately afterwards.

    Last Sunday the upper voices in the choir had a morning to themselves – the tenors and the basses having a morning not singing and the sound of the service was quite different to what we normally get. The music was the Fauré Messe Basse, one of my favourite settings and one which sounds simple and calm.

    Having a choral mass means that the choir sing more of the music and particularly the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei. [On Sunday we had a congregational Gloria because Fauré didn’t write a Gloria for the Messe Basse]. These bits are called the Ordinary of the mass. That’s because they appear through the year. There’s not a Gloria in Lent and Advent, but apart from that these are the bits of the service where the text remains the same throughout the year. Other things (readings, hymns, Eucharistic Prayers, collects, post-communion prayers etc) change around them to give us the seasonal variations. The idea is that there is a familiar structure to the service – the same basic shape, that allows us to relax into the worship whilst the things that change stimulate the mind to meditate on the passing themes and the stories of the Christian Year.

    The worship we celebrate in the Scottish Episcopal Church is a form of the Western Rite. That’s the liturgy which is celebrated primarily by the western church. If you go to church in an Eastern congregation (Russian, Greek, Syrian, Coptic etc) the the liturgy does feel quite different. Whereas, if a Scottish Episcopalian goes to mass in a Roman Catholic Church or a Roman Catholic comes to mass in one of our churches, they are more likely to comment on the similarities than the differences. Indeed, it is common for us as a Cathedral in a city to find after a service that there are foreign tourists at the service who have not realised which denomination they are actually in.

    I’m a bit of a Western Rite groupie myself. It is how I am and who I am. My identity is formed by it. It gives shape to my life and allows me to be who I am.

    I sometimes think that we don’t talk enough about where it comes from, what it is and what it does. Corpus Christi, that feast we celebrated with the rose petals and great clouds of billowing prayers the other week was the liturgical celebration of joy in the actions of the eucharist.

    It it hard to beat Dom Gregory Dix’s emotion in the following passage, which comes to my mind every year at Corpus Christi and is what I’m thinking of as I stand at that altar.

    Was ever another command so obeyed? For century after century, spreading slowly to every continent and country and among every race on earth, this action has been done, in every conceivable human circumstance, for every conceivable human need from infancy and before it to extreme old age and after it, from the pinnacle of earthly greatness to the refuge of fugitives in the caves and dens of the earth. Men have found no better thing than this to do for kings at their crowning and for criminals going to the scaffold; for armies in triumph or for a bride and bridegroom in a little country church; for the proclamation of a dogma or for a good crop of wheat; for the wisdom of the Parliament of a mighty nation or for a sick old woman afraid to die; for a schoolboy sitting an examination or for Columbus setting out to discover America; for the famine of whole provinces or for the soul of a dead lover; in thankfulness because my father did not die of pneumonia; for a village headman much tempted to return to fetich because the yams had failed; because the Turk was at the gates of Vienna; for the repentance of Margaret; for the settlement of a strike; for a son for a barren woman; for Captain so-and-so wounded and prisoner of war; while the lions roared in the nearby amphitheatre; on the beach at Dunkirk; while the hiss of scythes in the thick June grass came faintly through the windows of the church; tremulously, by an old monk on the fiftieth anniversary of his vows; furtively, by an exiled bishop who had hewn timber all day in a prison camp near Murmansk; gorgeously, for the canonisation of S. Joan of Arc—one could fill many pages with the reasons why men have done this, and not tell a hundredth part of them. And best of all, week by week and month by month, on a hundred thousand successive Sundays, faithfully, unfailingly, across all the parishes of Christendom, the pastors have done this just to make the plebs sancta Dei—the holy common people of God.

7 responses to “Sermon – 1 June 2008”

  1. Di Avatar

    It seems to me more and more important for us to rediscover the idea of the divine inspiration of the reader of scripture as well as that of the authors.

    Thank you for this, Kelvin. I agree with you wholeheartedly. After all, only the author truly knows what was in his head when he wrote it and indeed, where the inspiration came from.

    Oh, and I enjoyed the rest too.

  2. Marion Conn Avatar
    Marion Conn

    Once again I’m listening to this late at night. Definitely food for thought and prayer. I was outside in the rain tonight, I really like the idea of that I was not just wet, but drenched in Grace. Thanks Kelvin.

    Good Night.

  3. Jonathan Ensor Avatar
    Jonathan Ensor

    I believe that everyone has a right to freedom of thought. Freedom of speech is a circumscribed fact of life in the UK and it is certainly an interesting idea that reading can be inspired, but who is the arbiter of what is inspired and who is the arbiter of what is apostate. I may believe with all my heart that I am divinely inspired, but I still have to convince other people that this is the case and that I am not being grandiose etc. If I pontificate about a text in the common domain, I may well have to justify myself and/or defend my position at some considerable cost, which I may or may not be willing to pay.

  4. kelvin Avatar

    Thank you for your comments.

    Jonathan – I think that I was suggesting that we see both the authorship of texts and the reading of texts as activities that can be inspired. I think that there has to be some dialogue between author and reader.

    I also think that in the history of looking at biblical texts, some people have emphasised the value of the text to the individual whilst others have read the text in community. (We might also presume that the texts themselves were gathered in community). I don’t think that I’d like to lose sight of that idea of inspiration coming when a community reads a text together. That idea is important to me as it counters against the idea of individuals thinking that they (alone) are divinely inspired.

    It seems to me that more people have believed that they alone were the only proper source of truth or inspiration or legitimacy than has actually been the case.

  5. Elizabeth Avatar
    Elizabeth

    Having heard this text spoken of many, many, many times in the context of Luther’s reading, I must say it was an enormous relief to hear this other way of reading. This tempts me to return to other texts of Paul’s that might be worth re-reading without Evangelical/Calvinist/Lutheran-coloured glasses.

  6. Jonathan Ensor Avatar
    Jonathan Ensor

    Kelvin, I agree that there has to be a community, but pretty universally in churches I have been to the Minister has preached and the community has continued to be fragmented. Also there is no chance of dialogue with dead authors and in the realm of art, once a work is in the public realm it is available for multiple interpretations which the artist may well never have considered. Even legal documents which attempt to define the law are interpreted by the judiciary. There is little chance for art or literature or the bible to be consistently read because the implications of certain phrases or sentences may reside in the way that they are written rather than in the mind of the author and the definitions may be too loosely drawn.

  7. kelvin Avatar

    Many thanks for your comments.

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