What is in Kelvin's Head?

The Joy of Evensong

23/09/2014

There are reports in the media today that a service of Choral Evensong in Bath Abbey was abandoned last Sunday because those inside the Abbey couldn’t compete with amplified music coming from outside the building. It is a bit of a sorry tale and I’m surprised that the police did not deal with it as a Breach of the Peace.

When I came to St Mary’s I had never been in a church which had Choral Evensong as a regular service before. It had seemed to me to be something which was a bit of an anachronism- something that was dying out along with the users of the Scottish Prayer Book. I’d tried to avoid encouraging it in the churches that I’d previously worked in and was a bit suspicious of coming to a place where there was evening worship every week. It seemed like one unnecessary extra thing to do at the end of a busy day.

However, I couldn’t have been more wrong and within a very short period of time, I had worked out that Choral Evensong was going to be one of the things that would sustain me in my ministry at St Mary’s and also that it was a devotion that was not only still relevant to some people but actively bringing people into church for the first time.

Evensong is so different to the Eucharists we have in the morning at St Mary’s. In the morning, at the main service, there is quite a lot of activity and movement. It feels wonderfully busy and exciting. Choral Evensong feels wonderfully calm and peaceful.

That’s not to say that there isn’t excitement at Evensong – the music is sublime. Here at St Mary’s we are lucky to have some of the most exciting singing you’ll hear in Scotland. The choir, who are all volunteers, make a passionate sound that ranges from quiet and intimate to full-on ranting for some of the psalms. I love the diversity of music we get and I love the shape to the service which doesn’t change much each week.

Choral Evensong is a perfect chill-out zone. You sit, you listen, you meditate, you absorb. You don’t need to be seen to do anything very much. It is like bathing in a deep warm bath of musical spirituality.

I’ve noticed that some people engage with St Mary’s for the first time at Evensong. I think it is because it is so easy to come to. Somehow you get time to think at Evensong – re-imagining the world that you’ve left outside the building and preparing yourself for the week ahead as the music and the peace of the building refresh you.

I hope they sort out their troubles at Bath Abbey. Choral Evensong is a lovely thing and it would be terrible to lose it when you have it regularly.

It is Sunday at 6.30 pm here at St Mary’s if you are looking for your soul to be soothed.

Bath Abbey, Choral Evensong

6 responses to “Here or there?”

Gary

01/04/2007

Up there. High altar. No doubt.

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Tom Allen

01/04/2007

I am very much with Richard Giles on this one – there should liturgically only be one main altar – ideally this is achieved by romoving the former High altar and dedicating that space to some other purpose – where that is not possible as in historic cathedrals then it should be left dormant (covered in a simple cloth perhaps) and only the altar which is being used for worship should be dressed since this is in fact THE altar.

Despite all the reservations about removing former altars in the end it solves long-term problems, and provides a single visual focus for Eucharistic worship. At times when a high altar is needed then the new altar can moved there.

This kind of fuzziness illustrates that our liturgical practice has become dominated by hertiage criteria.

I am about to replace our main altar with something moveable and aesthetically more appropriate, but am facing a Registrars ruling that the current altar (and former eastward facing number more recently provided with wheels and moved to the chancel!) must be burnt, and that the wood frontal cannot be used for a screen.

Dont’ we get ourselves tied up in knots!
Tom

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Stewart

01/04/2007

A thought came to my mind this afternoon. At the Creed we all face east. This results in the choir turning their back on the Nave Altar and in most cases put the High Altar in their sight.

Considering Tom’s comments, another thought thinking about some English Cathedrals which have multiple altars around the building, it is not usually possible to see more than one at a time. Some have a chapel behind the High Altar – behind a screen.

Turning back to St Mary’s – all the action at the 10:30 service is centred and focused around the Nave Altar. However there is still the High Altar, the Pheobe Traquair Reredos and Gwyneth Leach mural of Our Lady at the East End. To my mind their presence enhances the worship around the Nave Altar and does not detract from it.

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Andrew

02/04/2007

The Altar is a table, where we commemorate a meal together. Clearly (to my mind) we should all be sitting round it, as we do (more or less) at present. The table reminds me that Jesus instituted the Last Supper when he was among us (HERE), not somewhere else (THERE).

I very much hope that the Altar in St. Mary’s can be left where it is.

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kelvin

03/04/2007

It seems to me curious that the practice that I inherited was to light and dress the high altar whilst using the nave altar. It makes no sense, except perhaps to highlight St Mary’s puzzling parallel worlds of deep conservatism mingled with radical liberalism.

Whist tending to agree with Andrew’s sentiments, it is worth remembering that the nave altar could hardly be said to have stayed in one place these last 20 years.

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Elizabeth

17/04/2007

Here. Both. Loving the paradox.

But maybe I only say that beccause the only church I’ve regularly worshiped in where there are clearly two visible altars is St Mary’s and that’s what I’m used to. I’ve never found it distracting that the high altar is dressed and lit, even though the nave altar is where the action is, so to speak. But then, would I notice if the high altar wasn’t dressed and lit? Probably not.

I do love the nave altar, peripatetic as it is!

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