• Ditching the sermon – a dialogue for Holy Innocents

    dialogue with bishop
    This morning I decided to ditch the sermon in favour of a dialogue with Bishop Gregor.

    It has been a difficult Christmas in Glasgow with a major tragedy in the centre of the city as people were doing their last minute Christmas shopping. Bishop Gregor was himself there in the square just after the incident involving the bin lorry. In this conversation he describes what he saw, what he was asked to do and how he responded.

    Together we reflected on how Christians find God.

    This happened in the context of the Sunday morning Sung Eucharist instead of a sermon. It seemed the right thing to move the Feast of the Holy Innocents back to this day, it having originally been scheduled to be celebrated here tomorrow morning.

    As I said at the beginning of the service, Jesus wasn’t born into a fairy story, nor into a Christmas card – he was born into  the real world and sometimes we need to think about what that really means.

    Here’s the video:

    Dialogue between Kelvin Holdsworth and Gregor Duncan in Glasgow on 28 December 2014 from Kelvin Holdsworth on Vimeo.

4 responses to “How to Keep Holy Week”

  1. Christine McIntosh Avatar

    I have never been able to attend any part of the Triduum services in another church. Some day …

  2. Rosemary Hannah Avatar
    Rosemary Hannah

    I had really hoped to be able to push for/be part of an over-night Vigil this year, but my family commitments currently make that hard (my grandson needs a more or less awake Nana on Easter Day) but I am sure the time will come. It would be a brilliant thing to do.

    1. Rosemary Hannah Avatar
      Rosemary Hannah

      And to really tell the bible – not just readings but proper stories, to bring the whole thing to life. Not extracts, giving one no time to get to grips with the the content, but a real chance to see it as – well to be honest, very largely as the Deuteronomistical historians wanted one to see it.

  3. Allan Ronald Avatar
    Allan Ronald

    It was always the Crux Fidelis setting by John IV of Portugal that moved me most when I was part of the congregation at the London Oratory. And considering how potent the rest of the liturgy was, that is saying a lot.

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