• Vile, vile, vile

    Oh, vile was the journey home from Edinburgh last night.

    Every now and then there is hand wringing about how few the number of people are who make the trip over from Glasgow (city of light and beauty) to Edinburgh (town of dark pleasures and dug-up roads) for arts events in the Edinburgh festival. Indeed, this year, they’ve installed a useful ticket booth for the Fringe in Queen Street station, pour encourager les autres.

    That’s a good idea in itself, but access to tickets isn’t the primary reason that people don’t make the journey.

    I can understand why they might want to encourage more people. After all, I’ve been at two of the top notch events in the official festival in the last week and on each occasion there have been many empty seats all around me. (Funny, isn’t it that empty seats at the Olympics are a national scandal whilst empty seats at the world’s premier arts festival cause no headlines.)

    [In passing, I would also note with a slight grump that the Festival is now refusing to give a companion’s ticket to reviewers these days despite having all those empty seats to fill].

    A big part of the reason for people not wanting to go to Edinburgh at night from the land of plenteousness in the West is that the journey can be just so vile.

    You don’t want to drive to Edinburgh because in Edinburgh you can neither park nor drive. All roads in the centre are likely to be dug up or congested due to the long-running tram debacle which would be better described as a piece of performance art than a transport policy.

    And the late night trains from Edinburgh are just so horrible.

    Last Saturday night there was terrible overcrowding on the trains. They know that the Edinburgh festival is on its way presumably every year. And though there is the odd extra train very late at night, the capacity at 1030 pm just isn’t good enough. Corridors are full of people and toilets are full of…. well, never mind what they are full of.

    Last night I thought I got lucky by getting a seat in the front of the train. However, that feeling of pleasure and delight was soon dashed from the castle ramparts above Waverley station as Glasgow’s generic, belligerent, loud, smelly, objectionable drunk decided to sit at my table. After announcing to one and all quite how p….drunk he was, he then proceeded to keep up a commentary on everyone else in the carriage. Young women were lampooned for being too fat for him, too thin for him or wearing the wrong clothes. Every man was a threat that made him nervous and tetchy. Anyone with a briefcase was subject to questioning about what they did and whether they had any money in the case.

    Dozens of people had a miserable end to whatever kind of evening that they had had.

    I chose the line of least resistance and feigned sleep. However, closing your eyes to such bad behaviour is hardly any easier than keeping vigilant watch.

    Scotrail supposedly have a no alcohol and no drunks policy on late-night trains. If they are going to come anywhere near enforcing it then they need some staff on the trains. Last night there was no sign of a guard, conductor, ticket-wallah or whatever the whole vile journey.

    Quite ghastly and bound to make one think twice about making the journey again.

4 responses to “How to Keep Holy Week”

  1. Christine McIntosh Avatar

    I have never been able to attend any part of the Triduum services in another church. Some day …

  2. Rosemary Hannah Avatar
    Rosemary Hannah

    I had really hoped to be able to push for/be part of an over-night Vigil this year, but my family commitments currently make that hard (my grandson needs a more or less awake Nana on Easter Day) but I am sure the time will come. It would be a brilliant thing to do.

    1. Rosemary Hannah Avatar
      Rosemary Hannah

      And to really tell the bible – not just readings but proper stories, to bring the whole thing to life. Not extracts, giving one no time to get to grips with the the content, but a real chance to see it as – well to be honest, very largely as the Deuteronomistical historians wanted one to see it.

  3. Allan Ronald Avatar
    Allan Ronald

    It was always the Crux Fidelis setting by John IV of Portugal that moved me most when I was part of the congregation at the London Oratory. And considering how potent the rest of the liturgy was, that is saying a lot.

Leave a Reply

Your email address will not be published. Required fields are marked *

Previous Posts

  • Clacks

    For the first time ever, I have managed to drive to somewhere in Clackmannanshire and back to Bridge of Allan without getting lost. I did have a road atlas, a streetmap and a couple of maps downloaded from the internet with me, but it still felt like a great achievement. I don't understand why the…

  • Songs of Praise

    From the BBC website: “Songs of Praise: Christmas Highlights – Pop producer Pete Waterman takes a trip on a steam train and picks his favourite Christmas carols, including performances by Wells Cathedral Choir and Sir Cliff Richard.” Beyond parady.

  • Sermon – Holy Innocents

    The gospel reading this morning is one of those parts of the Christmas story which can take us by surprise. Indeed, it can be very tempting to miss it out. I had planned to use the Gospel readings for the first Sunday after Christmas instead, because I felt not a little squeamish about reading the…

  • Working Time

    I think that I might, just about, have recovered from Christmas. Having three services each 12 hours apart over Christmas Eve and Christmas Day is hard work. The European Working Time Directive would suggest that o­ne should not be encouraged (or allowed) to do this. It is o­nly a matter of time before the churches…