• Happy Frikkiday

    On Sunday we had the happy coincidence of Dedication Sunday and Frikki Sunday – it was the Director of Music’s 50th birthday. This meant much joyful music throughout the day and a megasong service at night when some of those who have sung with him before or who sing with him elsewhere came along to enjoy the fun and wish him well. The choir numbered about 60 voices and thoroughly enjoyed belting its way through Kelly in C and And When the Builders by Richard Shepherd.

    Here’s a picture of me, caught by Stewart Macfarlane, giving the notices at the end whilst similtaneously getting the congregation to get ready for singing a surprise final accapela anthem.

    FWBirth

    And here’s the Forum I did with Frikki earlier this year when we talked a bit about what inspires him and some of the elements that go into making the worshp here so exciting. Worth a second look if you’ve seen it before and worth looking at for the first time if you havn’t.

One response to “Eid, Pride and Abraham’s Sacrifice”

  1. Tim Avatar

    As one who grew up(?) in churches leaning toward the view “it’s a tough story for a tough world, how else would God be just?” in varying degrees, I agree the face-value-narrative understanding of the story is repellant.

    One thing stood out for the first time during Sunday’s reading: the plurality in Abraham’s line – “…and we will return to you”. I’ve been idly wondering about that since.
    It doesn’t make the story wholly acceptable as Abraham still ploughs on ever closer.
    But if one’s goal is to find a “by faith, Abraham” in there, better to say it’s the prior confidence that things will somehow work out well (which I thought was how Hebrews was trying to define it), than to locate the commendable quality in violence (which, by rabbiting on about resurrection, Hebrews does).

    In the absence of other clear & wholly mitigating contexts in which to place the story, certainly it’s simplest, easiest and probably best to file it under “that’s how they saw God back then” and move swiftly on.

    Oofft.

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