• Culture Catch Up

    I’ve been on annual leave for the last week. It was my (rather late) post-Christmas break. Just after Christmas, I didn’t want to be away from either home or St Mary’s, probably due to having just come back from my three-month sabbatical. Hence, I put off taking time off until now.

    This year I threw myself into a culture catch-up with a wee trip to London.

    Here are the scores on the doors:

    Takin’ Over the Asylum at the Citz in Glasgow – solid reworking of a good TV series for the stage Rating: ★★★½☆

    La Traviata at the Coliseum
    – all done with curtains. The curtains open to reveal a set of curtains, which in turn are pushed apart to reveal a set of curtains, which in turn…. All in all a rather good postmodern interpretation. Then end worked well. You need a good seat for this one. Some of the action happened amongst the audience. Rating: ★★★★½

    Cocktail Sticks – a new piece by Alan Bennett about his parents. Made me laugh. Made me cry. Rating: ★★★★☆

    This House – an enormous new play by James Graham about the politics of the 1970s and 1980s. In other words, a play about the politics that I first remember. Rating: ★★★★☆

    Merrily We Roll Along – The Play. This was a mistake. Booked it at the last-minute thinking I was booking Merrily We Roll Along the Musical. The play is incomprehensible, particularly so in a rehearsed reading. This was a rehearsed reading. Lasted until half time. Rating: ★☆☆☆☆

    People – another new play by Alan Bennett. This one had the wonderful Frances de la Tour being an imperious old aristocrat. It also had an actress, a bishop and enough trouser-dropping to prove that farce has not died just because Brian Rix is no longer in charge. It is not Alan Bennett’s greatest work but greater than so many other people’s greatest work nonetheless. Rating: ★★★½☆

    Ice Age Art – the Arrival of the Modern Mind at the British Museum. This one is selling out every day – you need a timed ticket to get in. Fascinating, beguiling show of bits and bobs from Europe made by people we know so little else about. Enigmatic “venus” figurines and a ghostly puppet were my favourites. Rating: ★★★★☆

    Light Show at the Hayward Gallery. From prehistoric art to the art that depends on the technology of today. (I think we can be pretty sure that none of this will be around in 27000 years). An interesting show. Would perhaps have felt spiritual and holy if one had had the chance to go around it alone. As it was, there were too many other people. (Which was the theme of one of the Bennett plays above, oddly). Rating: ★★★☆☆

    Oh, and I met one or two people I know and one or two I know now.

    There we go – not a bad week all told. Four and a half plays and two big art shows. Oh, and I also worshipped last Sunday in a small congregation in the West End (just 19 of us gathered right where London’s heart beats strongest) and at Westminster Abbey on Tuesday evening for a gorgeous Evensong with dozens in the cast and hundreds in the congregation.

    God was present in both these services.

    And in the rest, I’d say.

    Quite a lot of dashing about, not least as I was only in London for three nights.

    And that’s what I did on my holidays. Rating: ★★★★★

66 responses to “Sermon Preached on 9 October 2011”

  1. kelvin Avatar

    Now, I think we are in danger of moving away from commenting on the sermon that was posted above.

    Further comments that are focused on that sermon are welcome. I think that I will exercise my perogative and choose not to host any further debates on this thread unless they pertain directly to the orginal post.

    Several comments from those of differing opinions have been gently hushed.

  2. Alan McManus Avatar

    I remember hearing you preach this sermon, Kelvin, and being surprised at your take on it. Mine, I now realise (thanks for the research, Rosemary), came from Augustine (via my RC school chaplain, now happily married, whose constant theme was the love of God for us). It’s difficult to revise views learned while young as the evidence we accepted as children is not always acceptable to our adult minds – if we chose to review it. So I sympathise both with my coreligionist and with our Cromwellian interlocutor, despite their abrasive tone and the fun we can have with bowels and prostrates: they appear both to speak the truth as they see it. But so does everyone else commenting – and some (like Jaye) read the Hebrew scriptures in the original. I like the interpretation put forward by Kenny and Agatha and just because it was a convenient one for Augustine doesn’t mean it has to lack truth. So I turned to the Greek for backup and the first word that struck me was Ἀρίστων (ariston) which has connotations of excellence and survives in ‘aristocrat’. This king calls his ‘banquet’ (Jerusalem Bible) literally ‘my excellence’ – and he’s obviously gone all out. So none of the big wigs turn up and he goes all inclusive and gets the good and the bad in. Then throws a hissy fit about the dress code. He sounds A LOT like me when I’m directing. Then I noticed there’s a lot of play on IN and OUT (even ‘crossroads’ is διεξόδους – diexodous – way out ways?) and the final words are a pun on κλητοί (kletoi – named/ invited) and ἐκλεκτοί (eklektoi – called/ chosen).
    Now I suspect that shackling a quest hand and foot and shoving him out the door into outer darkness (the Greek word for darkness is the Classical root of ‘Scotland’!) may have put a rather gloomy outlook on the evening’s festivities. Could that be the point? It’s sandwiched between the parable of the wicked husbandmen that has the son of vineyard owner exit sharply and the trap Jesus escapes about taxes.
    With all this about ‘who’s in who’s out?’ and ‘which side of the coin are you on?’ can we take this passage with a pinch of Paul (and Augustine, and Cromwell) and say ‘our righteousness is as filthy rags before the Lord’? So the point is not how we are named/ that we are invited but that the church (ekklesia) we are chosen and called to be is not one of domineering control freaks throwing hissy fits because the excellence of their table arrangements has been spoilt by someone not following rubrics. Or by (ditto) because their nice ideas about biology (JS, once you mention ‘purpose’, no biologist will take you seriously) have been spoilt by people in love. St Mary’s is a great liturgical feast indeed. Everyone goes all out for excellence. Yet I’ve seen the oddest-dressed people doing the oddest things (me late, again, in my glad rags included) welcomed. The RC Church in Scotland, of whose hierarchy I am deeply deeply ashamed, would do well to stop whitewashing sepulchers and start calling the clergy and laity in their charge to inclusive love.

    1. Alan McManus Avatar

      That should be άριστον, guest, εκλεκτοί. Transliteration is correct, it was the cut and paste that was slapdash. Fortunately my phone does Greek (no pun intended) but it doesn’t do breathings.

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