• Culture Catch Up

    I’ve been on annual leave for the last week. It was my (rather late) post-Christmas break. Just after Christmas, I didn’t want to be away from either home or St Mary’s, probably due to having just come back from my three-month sabbatical. Hence, I put off taking time off until now.

    This year I threw myself into a culture catch-up with a wee trip to London.

    Here are the scores on the doors:

    Takin’ Over the Asylum at the Citz in Glasgow – solid reworking of a good TV series for the stage Rating: ★★★½☆

    La Traviata at the Coliseum
    – all done with curtains. The curtains open to reveal a set of curtains, which in turn are pushed apart to reveal a set of curtains, which in turn…. All in all a rather good postmodern interpretation. Then end worked well. You need a good seat for this one. Some of the action happened amongst the audience. Rating: ★★★★½

    Cocktail Sticks – a new piece by Alan Bennett about his parents. Made me laugh. Made me cry. Rating: ★★★★☆

    This House – an enormous new play by James Graham about the politics of the 1970s and 1980s. In other words, a play about the politics that I first remember. Rating: ★★★★☆

    Merrily We Roll Along – The Play. This was a mistake. Booked it at the last-minute thinking I was booking Merrily We Roll Along the Musical. The play is incomprehensible, particularly so in a rehearsed reading. This was a rehearsed reading. Lasted until half time. Rating: ★☆☆☆☆

    People – another new play by Alan Bennett. This one had the wonderful Frances de la Tour being an imperious old aristocrat. It also had an actress, a bishop and enough trouser-dropping to prove that farce has not died just because Brian Rix is no longer in charge. It is not Alan Bennett’s greatest work but greater than so many other people’s greatest work nonetheless. Rating: ★★★½☆

    Ice Age Art – the Arrival of the Modern Mind at the British Museum. This one is selling out every day – you need a timed ticket to get in. Fascinating, beguiling show of bits and bobs from Europe made by people we know so little else about. Enigmatic “venus” figurines and a ghostly puppet were my favourites. Rating: ★★★★☆

    Light Show at the Hayward Gallery. From prehistoric art to the art that depends on the technology of today. (I think we can be pretty sure that none of this will be around in 27000 years). An interesting show. Would perhaps have felt spiritual and holy if one had had the chance to go around it alone. As it was, there were too many other people. (Which was the theme of one of the Bennett plays above, oddly). Rating: ★★★☆☆

    Oh, and I met one or two people I know and one or two I know now.

    There we go – not a bad week all told. Four and a half plays and two big art shows. Oh, and I also worshipped last Sunday in a small congregation in the West End (just 19 of us gathered right where London’s heart beats strongest) and at Westminster Abbey on Tuesday evening for a gorgeous Evensong with dozens in the cast and hundreds in the congregation.

    God was present in both these services.

    And in the rest, I’d say.

    Quite a lot of dashing about, not least as I was only in London for three nights.

    And that’s what I did on my holidays. Rating: ★★★★★

7 responses to “The Antisemitism Notice”

  1. Gordon Avatar
    Gordon

    Helpful, thank you

    What is the concern with the reproaches? I’m not familiar with them

    1. Kelvin Avatar

      They can be interpreted as being directed at us the listeners. But they can also be interpreted as speaking to Jewish people as all the imagery is from the Hebrew Scriptures and doesn’t reference the experience of those who actually were around Jesus during his life on earth.

      For example:
      “I led you out of Egypt, having drowned Pharaoh in the Red Sea:
      and you have delivered me to the chief priests.”

      Who is being addressed here?

      1. Nick Drew Avatar
        Nick Drew

        That’s interesting, because whenever I have sung the Reproaches I have always felt them as being expressions of personal repentance rather than accusations thrown at the listener.

  2. Rosemary Hannah Avatar
    Rosemary Hannah

    I must admit I had always read the Reproaches as directed to the listener. That the Egypt from which we are delivered is the Egypt of the modern world, the slavery of ghastly jobs (I’ve had a few, in fact a lot) and the oppression of terrible political systems. But I come from a totally different thought world to that of most people today, and I absolutely see they wouldn’t commonly be read that way.
    But I think it would benefit everyone to find a way of expressing BOTH what faith can offer in terms of freedom AND the mess we do make of the world, and sitting with that tension.
    And I think the church as a whole urgently needs to find a compelling and deep reaching way of doing both.

    1. Kelvin Avatar

      You might be interested that we’re looking at Isaiah 59 as a helpful text for this year, given the current ways of the world.

    2. Christine McIntosh Avatar
      Christine McIntosh

      I’m of much the same mind. (A mind that is still blown away when I hear them sung)

  3. Dan Floyd Avatar
    Dan Floyd

    Thank you

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