What is in Kelvin's Head?

A Welcome Forest of Deans

11/01/2016

Last weekend an open letter emerged from within the Church of England which asked the two archbishops in England to take a message to the Primates’ Conference acknowledging that the Church has failed in its duty of care to LGBTI members of the Body of Christ worldwide and calling for repentance.

The whole letter is here: https://lettertoarchbishops.wordpress.com/

Others were asked to sign it to show their support and my name was one of the first to be added on Sunday morning when I heard about it. (It was addressed to Our Archbishops which was a bit problematic but sometimes you just have to go with the spirit rather than the letter of the law).

I was particularly encouraged to see that this letter originated from a couple of people from within the Evangelical tradition in the church.

I was also encouraged to see how many Deans of Cathedrals in England had signed the letter.

Here’s a map showing in green those deans who have signed.

There may be errors to correct or amendments to make – please let me know in the comments below. Nothing should be presumed about the red dots other than that there doesn’t seem to be a record of a dean there who has signed. Some cathedrals may be looking for a dean and some deans may be out of contact and not have heard about it. Some names may yet be added.

I believe that Durham has no dean in post at present so have marked that in a different colour. I’ll change any others that are like that if anyone lets me know in the comments below.

There are two cathedrals in London which seem to be on top of one another on the map – both of them are marked in green.

Rather encouraging to see the green shoots of inclusion springing up, I think and to see leadership coming from England’s cathedrals.

[google_maps id=”14812″]

UPDATES
Worcester added (missed off in original list)
Wells and Durham marked as vacant.
Southwell marked as vacant.
Rochester marked as vacant.

9 responses to “The Lament Question”

kimberly

12/08/2009

ask it in the singular, and the answer is: because you’re a four.

you’ll have me playing the funeral ikos next.

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kimberly

12/08/2009

the other answer is about possibility being revealed in limits.

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kelvin

12/08/2009

Its not just me though, and not just fours.

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Aaron Orear

12/08/2009

I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

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Erp

12/08/2009

I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

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RosemaryHannah

12/08/2009

Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

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Elizabeth

13/08/2009

Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

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Ritualist Robert

14/08/2009

Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

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Steve

14/08/2009

I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

There is also a hint of an answer in this poem by Edwin Muir:

Yet still from Eden springs the root
As clean as on the starting day.
Time takes the foliage and the fruit
And burns the archetypal leaf
To shapes of terror and of grief
Scattered along the winter way.
But famished field and blackened tree
Bear flowers in Eden never known.

Blossoms of grief and charity
Bloom in these darkened fields alone.
What had Eden ever to say
Of hope and faith and pity and love
Until was buried all its day
And memory found its treasure trove?
Strange blessings never in Paradise
Fall from these beclouded skies.

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