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- Boris Johnston will achieve his longstanding ambition to become a former Prime Minister.
- Stock market higher at end of 2021 than at the beginning (FTSE – 6,460) but higher inflation too (most recent CHPI – 0.6%).
- No progress for those hoping for marriage equality in the Church of England.
- State based hackers turn their disruptive attention to open source software. (Watch out WordPress).
- Donald Trump will remain the centre of attention.
- There will be midnight mass in St Mary’s Cathedral, Glasgow next Christmas Eve. People will be wearing masks.
- A rocky year for Nicola Sturgeon but the SNP will be returned triumphant to Holyrood, despite their record.
- No vote on Scottish Independence this year but like it or not, constitutional change is a-coming.
- Attempt to repeal the Human Rights Act, removing the provisions of the European Convention on Human Rights from UK law. (It is a stepping stone to restoring capital punishment – the Brexiteers are not done with us yet).
- Legislation emerges in Scotland to restrict fireworks.
9 responses to “The Lament Question”
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ask it in the singular, and the answer is: because you’re a four.
you’ll have me playing the funeral ikos next.
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the other answer is about possibility being revealed in limits.
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Its not just me though, and not just fours.
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I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)
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I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.
Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.
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Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.
I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.
And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.
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Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?
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Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.
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I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.
There is also a hint of an answer in this poem by Edwin Muir:
Yet still from Eden springs the root
As clean as on the starting day.
Time takes the foliage and the fruit
And burns the archetypal leaf
To shapes of terror and of grief
Scattered along the winter way.
But famished field and blackened tree
Bear flowers in Eden never known.Blossoms of grief and charity
Bloom in these darkened fields alone.
What had Eden ever to say
Of hope and faith and pity and love
Until was buried all its day
And memory found its treasure trove?
Strange blessings never in Paradise
Fall from these beclouded skies.
Previous Posts
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Jesus – the Angry Religious Man
Here’s what I said in the pulpit yesterday for Lent 3 Sermon preached by Kelvin Holdsworth on 8 March 2015 from St Mary's Cathedral, Glasgow on Vimeo. The door opened. That door at the back, with its annoying squeak. And I looked up and immediately I was afraid. I saw someone come in and knew…
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The Opera Project – Purcell and Poulenc
The Opera Project was a double bill of Purcell’s Dido and Aeneas and Poulenc’s Les Mamelles de Tirésias at the Royal Conservatoire of Scotland. This review appeared originally at Opera Britannia. Rating: At first sight, the pairing of Dido and Aeneas with Poulenc’s surrealist piece Les Mamelles de Tirésias seems to make little sense at…
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News from around the Scottish Episcopal Church – March 2015
United Lent Appeal The College of Bishops has launched a Lent Appeal to raise funds for the Scottish Episcopal Institute, the new body that is the successor to the troubled Theological Institute of the Scottish Episcopal Church. The Lent Appeal is to raise funds to enable full-time training for younger ordinands. The following prayer has…
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Silence is Golden
Forum on Silence from St Mary's Cathedral, Glasgow on Vimeo. Somehow I managed to forget to publish this video on the blog but it is worth taking a look. It came from a forum conversation that I had with the Vice Provost, Cedric Blakey the other week. The point of this was to have a…
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