• Back from hols and quick theatre reviews

    beckettsmall
    I’m back to work at St Mary’s today after a post-Christmas (well, post-Epiphany) week off. I’m writing this at the point just before I go into work, say morning prayer and open up the emails that have come in to me whilst I was away.

    It has been a busy week. I managed to fit in a trip to Yorkshire to see family and a wee theatre trip to London.

    Here are a few quick theatre reviews of what I saw.

    • Matthew Bourne’s Swan Lake at Saddlers Wells – by some distance the most exciting thing I saw. I’ve come rather late to this one but loved it. (Except the ending which reminded me of Brokeback Mountain – how often gay couples only end up together when they are dead).
      Rating: ★★★★★
    • Ghosts at the Trafalgar Studios – A very good production of this Ibsen play though I was surprised when I got in that I’d already seen a strikingly similar production of the same play at the Citz a while ago. Outstanding question – why did the maid and her father sound as though they came from Govan when they were supposed to be rural Swedes?  Apart from that, all made sense and this was quite gripping.
      Rating: ★★★★☆
    • Not I, Footfalls and Rockaby – the Beckett trilogy at the Royal Court. This was the one I booked in advance and indeed the one that prompted me to book the trip. A rare chance to see Not I, not least because of how difficult it is – the actor hangs upside down on the stage and delivers a monologue “at the speed of thought” whilst the only illumination in the whole theatre is a tiny pencil spotlight on her lips. This was chilling, fascinating theatre that plays with your mind.
      Rating: ★★★★½
    • From Morning to Midnight – a German expressionist piece at the Royal National Theatre. Brilliantly done. But should it have been done? I was far from sure. Reminded me of that terrible production of the Seven Deadly Sins that Scottish Opera did a few years ago.
      Rating: ★★★☆☆
    • Mojo – a relatively new play at the Harold Pinter Theatre. This one didn’t work for me at all – far too shouty. Odd that the people in the stalls seemed to think it was hilarious and those in the Royal Circle didn’t. How does this happen?
      Rating: ★★☆☆☆

    Not a bad trawl. Add to that three big sung services in musical churches in London, a hour or so looking at favourite things in the National Gallery, some good food and good company and you’ve got a flavour of what I was up to.

    I was in London for three nights, by the way and managed to come back without blisters.

8 responses to “More sermons”

  1. ryan Avatar
    ryan

    Listened to one of the sermons (the wife for Isaac one) and it struck me that the one thing all proper episcopal preachers that I’ve heard have in common is an attractive voice. Is this taught at theological college, or are prospective ordinands vetted, Simon Cowell on X Factor style?

  2. kelvin Avatar

    You are too kind Ryan. And the idea that people at theological college should be taught anything to do with preaching is delightfully charming.

  3. morag Avatar

    just read the kingfisher sermon,you really do have a beautiful way with words and imagery.I believe God is with us every day.I was walking with my dog in Kelvingrove park the other night and in the pond standing quite still and majestic was a large heron.He looked magnificent but nobody else seemed to notice they just walked on by.God is definitely in my local park,Victoria.There is a sort of semi wild section of large yellow Peace roses there and their scent is truly heaven “scent”I love to sit theredrinking it in and have quiet thoughts with God.This web page you have is truly unique and it is wonderful to come across someone in the church who so obviously has a living ,loving relationship with God

  4. David |daveed| Avatar
    David |daveed|

    And the idea that people at theological college should be taught anything to do with preaching is delightfully charming.

    May I beg to differ, at least for this side of the pond.

    Both of the seminaries which I attended in the USA, had a department with professors dedicated to teaching homiletics & worship. At Perkins School of Theology, SMU, we took two required semesters, which included writing weekly sermons to be delivered in class for critique by both professors and classmates. Each semester we also had three sermons which were videotaped at staggered points in the class for us to be able to witness and have record of our own improvements.

    I was even asked to preach one of my three in my native Spanish and was critiqued by the hispanic community, staff & students at Perkins.

    Preaching and Worship are pretty standard fare at seminaries in the USA & Canada.

  5. kelvin Avatar

    My apologies, David. I’d forgotten that we had gone global.

    I would say that I learned a lot about liturgy and worship during my training, much of it from other students. I don’t think there was much more than 15 minutes devoted to homiletics in all my training.

    I think that the theory was that this would be done whilst on placements in congregations. Although one can learn a lot in such placements, I think that preaching is something that everyone can always learn to do a bit better and that the church should not be shy of trying to teach.

  6. ryan Avatar
    ryan

    I’m always curious as to whether preachers write out a full script of a sermon, actor giving a reading style, or if there is an element of improvisation. A 60 minute sermon,at average speaking speed, works out at 6,000 words which is surely a lot to write out in full each week.And what happens if there are pastoral crises that prevent completing the writing of a sermon? Do you guys have a folder of back-up material for such occasions? Are you allowed to plagiarise or is that a big a vice as it is in academia?

  7. kelvin Avatar

    Thanks Ryan. Those are good questions.

    First of all, no-one in their right mind preaches for 60 minutes in the UK, do they? I think you will find on listening to mine that you get about 12 minutes. I think that if you are a regular preacher and you can’t say what you want to say in St Mary’s in 15 minutes you’ve probably started to preach next week’s sermon a week early. My recent one about dating strategies was just over 10, and there was a lot packed in!

    The readings that we use come round in a three year cycle so quite often one may have as a starting point what was said three years ago or six years ago. Using a common lectionary also means that a lot of people are preaching on the same thing at the same time and there are a lot of websites with emergency resources and other people’s ideas.

    I’d say that most preachers use other people’s ideas. Often it is nice to acknowledge them. Since putting all mine online, I’d say that I use other people’s material much less. I do sometimes use things that I’ve used before and in other contexts. If it was worth saying once, it might be worth saying again. Again, however, putting it online makes that kind of thing more risky now. They might have heard the jokes before.

    In a good week, I will have been thinking about the lectionary readings all through the week even through the pastoral events that come along. They feed into it somehow.

    Lots of my influences come from people I encountered when I was reading Divinity at St Andrew’s University. At the time I learned a lot from a prominent feminist theologian and have since learnt the importance of the Liberation Theologians that people were trying to get me to appreciate. At the time, it bored me silly. Now it is the stuff of life.

    They key is to develop a range of ways of reading the Bible. A repertoire of styles.

  8. David |daveed| Avatar
    David |daveed|

    Ryan, there are many styles, and we all have to find which of them is a best fit for us personally. I know a few who preach from the barest of notes on a 3 x 5 card. Others who read verbatim from a type written manuscript. I think the majority of us type a manuscript and refer to it, however, certainly not slavishly, leaving room to expand or alter “as the Spirit moves.”

    The axiom I was taught by both John Holbert and Marjorie Procter-Smith was that if you preach more than 15 minutes, you do not know what you are talking about.

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