What is in Kelvin's Head?

Happy Frikkiday

30/10/2013

On Sunday we had the happy coincidence of Dedication Sunday and Frikki Sunday – it was the Director of Music’s 50th birthday. This meant much joyful music throughout the day and a megasong service at night when some of those who have sung with him before or who sing with him elsewhere came along to enjoy the fun and wish him well. The choir numbered about 60 voices and thoroughly enjoyed belting its way through Kelly in C and And When the Builders by Richard Shepherd.

Here’s a picture of me, caught by Stewart Macfarlane, giving the notices at the end whilst similtaneously getting the congregation to get ready for singing a surprise final accapela anthem.

And here’s the Forum I did with Frikki earlier this year when we talked a bit about what inspires him and some of the elements that go into making the worshp here so exciting. Worth a second look if you’ve seen it before and worth looking at for the first time if you havn’t.

birthday, Frikki Walker, Music, worship

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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