What is in Kelvin's Head?

Sermon – the Maker, Troublemaker, Peacemaker

19/08/2013

Here’s what I said on Sunday in the pulpit about that tricky gospel reading.

Not peace, but a division

Sometimes one reads the Gospel in church and everyone nods knowingly. You can tell that people think that what is being said is wise and good.

When we tell the story of the Good Samaritan, perhaps. Or the Prodigal Son. Or the stories of his response when people brought him those who were sick.

We hear Jesus being clever, holy and gracious. We see him healing and enlightening and blessing.

And we approve.

We approve of this Saviour for he is made in the image of all our hopes and our dreams.

This is a God whom we can like. He would not be out of place in our company. We would be honoured to take him home for tea.

But the truth is, Christianity is about something a little more than this. It is about following a Saviour who sometimes turns around and says things that we find tricky, difficult or bewildering. (more…)

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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