What is in Kelvin's Head?

How to sleep on the sleeper

31/07/2012
Did I mention that I came back from London on the sleeper? It remains my favourite way of travelling back from south to north as you can catch it after a night at the theatre. (In this case Democracy at the Old Vic). Generally I prefer to fly down and sleeper back.

Here are my Caledonian Sleeper tips….
- Don’t believe the time that they advertise as when the sleeper will be ready for boarding. It is often later than that.
- Leaving a big city at midnight by train is inherently romantic.
- Being in Euston at 11.30 pm is inherently unromantic.
- For excitement, intrigue, value for money and frisson book a bargain berth and share with Who Knows Who.
- If sharing with an unknown companion who has not arrived when the train leaves, don’t presume anything. He could show up anytime, anywhere.
- For a better night’s sleep pay more and get a cabin to yourself.
- For no sleep at all, use the reclining seats. You will however, learn much about humanity.
- Don’t worry about sleeping – tell yourself that all you have to do is doze and you’ll probably fall asleep anyway.
- The more you pay, the better the breakfast in bed.
- Murmur in the steward’s ear as you get on that you’d prefer your breakfast to be served after everyone else if possible
- Beware of muddling the buttons that open the toilet compartment with the adjacent buttons which open the disabled cabin next door. (Especially at 4 am).
- Flipflops.
- Travelling North to South on certain tickets give you access to a lounge at Euston with free showers. No such luck coming the other way.
- If turfed off the sleeper at 7 am and going to work at 9 am, don’t go home and go to sleep. Go swimming instead.
- You can charge phones in the lounge car but not in your cabin.
- That little hook by your head is for putting your watch on, but don’t forget it in the morning.
- Take extra water.
- The first stop is Carlisle. The stop with all the shunting is Carstairs.
- Don’t go for a wander before Carstairs or your cabin might go to Glasgow whilst you go to Edinburgh.
- You might arrive going a different direction to the one you set off in. Don’t be confused, they’ve not turned you round and sent you back to London after all.
Any tips I missed?
Caledonian Sleeper, tips

9 responses to “The Lament Question”

kimberly

12/08/2009

ask it in the singular, and the answer is: because you’re a four.

you’ll have me playing the funeral ikos next.

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kimberly

12/08/2009

the other answer is about possibility being revealed in limits.

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kelvin

12/08/2009

Its not just me though, and not just fours.

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Aaron Orear

12/08/2009

I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

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Erp

12/08/2009

I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

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RosemaryHannah

12/08/2009

Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

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Elizabeth

13/08/2009

Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

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Ritualist Robert

14/08/2009

Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

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Steve

14/08/2009

I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

There is also a hint of an answer in this poem by Edwin Muir:

Yet still from Eden springs the root
As clean as on the starting day.
Time takes the foliage and the fruit
And burns the archetypal leaf
To shapes of terror and of grief
Scattered along the winter way.
But famished field and blackened tree
Bear flowers in Eden never known.

Blossoms of grief and charity
Bloom in these darkened fields alone.
What had Eden ever to say
Of hope and faith and pity and love
Until was buried all its day
And memory found its treasure trove?
Strange blessings never in Paradise
Fall from these beclouded skies.

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