What is in Kelvin's Head?

  • Tales of the City #8

    The scene is Glasgow Pride. The protagonists are making their way down Argyll Street in Finnieston. I am dressed in a black suit, clerical collar and small lapel ribbon in all the colours of the rainbow. The group I am with all carry colourful posters proclaiming “The Scottish Episcopal Church Welcomes You”. Mine is mauve. 

    A young man sidles up to walk beside me.

    Young Man: Hi!

    Self: Hello! Where are you from?

    Young Man: Well, Australia, actually. 

    The Young Man pauses.

    Young Man: I just, er, I just wanted to ask you something.

    Self: Oh, OK, ask away.

    Young Man: Well, are you real?

    Self: Oh yes, I’m very real.

    The Young Man gestures with his head towards the Sisters of Perpetual Indulgence who, beautifully bedecked in Catherine Laboré style wimples and rainbow habits of various styles are waving a large rainbow flag in front of us.

    Young Man: Yes, but the nuns?

    The Young Man pauses.

    Young Man: They are not real. Right?

    Self: Right.

     

    ,

4 responses to “How to Keep Holy Week”

  1. Christine McIntosh Avatar
    Christine McIntosh

    I have never been able to attend any part of the Triduum services in another church. Some day …

    Reply
  2. Rosemary Hannah Avatar
    Rosemary Hannah

    I had really hoped to be able to push for/be part of an over-night Vigil this year, but my family commitments currently make that hard (my grandson needs a more or less awake Nana on Easter Day) but I am sure the time will come. It would be a brilliant thing to do.

    Reply
    1. Rosemary Hannah Avatar
      Rosemary Hannah

      And to really tell the bible – not just readings but proper stories, to bring the whole thing to life. Not extracts, giving one no time to get to grips with the the content, but a real chance to see it as – well to be honest, very largely as the Deuteronomistical historians wanted one to see it.

      Reply
  3. Allan Ronald Avatar
    Allan Ronald

    It was always the Crux Fidelis setting by John IV of Portugal that moved me most when I was part of the congregation at the London Oratory. And considering how potent the rest of the liturgy was, that is saying a lot.

    Reply

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